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Lost in the Wilderness: Ansel Adams in the 1960s - UCR ARTS<\/title>\n<meta name=\"description\" content=\"Ansel Adams lost his way. The great American photographer stood at the summit of his life, renowned, celebrated. Then came the 1960s: the civil rights movement, the counterculture, free love, psychedelics, assassinations, Vietnam War protests, marches, and chaos. Even more traumatically for the country\u2019s preeminent photographer, photography itself changed beneath him. The new generation of 1960s photographers didn\u2019t give a damn about rocks and trees. They rejected the pieties of tradition and the shackles of Adams\u2019 \u201cZone System.\u201d Photo historian Jonathan Green: \u201cThe obsessions of sixties photography were ruthless: alienation, deformity, sterility, insanity, sexuality, bestial and mechanical violence, and obscenity.\u201d Ansel Adams\u2019 Fiat Lux project traverses the dark heart of 60s\u20141963 to 1968. It\u2019s a sprawling six-year commission from the University of California, the largest project the photographer ever tackled (his personal Yosemite obsession aside). Fiat Lux\u2019s over 7,500 images reveal an artist whose photographic coordinates have become unfixed. We see a great photographer off-balance. We witness an artist swimming hard against the tide of relentless change.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/ucrarts.ucr.edu\/exhibitions\/lost-in-the-wilderness-ansel-adams-in-the-1960s\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Lost in the Wilderness: Ansel Adams in the 1960s - UCR ARTS\" \/>\n<meta property=\"og:description\" content=\"Ansel Adams lost his way. The great American photographer stood at the summit of his life, renowned, celebrated. Then came the 1960s: the civil rights movement, the counterculture, free love, psychedelics, assassinations, Vietnam War protests, marches, and chaos. Even more traumatically for the country\u2019s preeminent photographer, photography itself changed beneath him. The new generation of 1960s photographers didn\u2019t give a damn about rocks and trees. They rejected the pieties of tradition and the shackles of Adams\u2019 \u201cZone System.\u201d Photo historian Jonathan Green: \u201cThe obsessions of sixties photography were ruthless: alienation, deformity, sterility, insanity, sexuality, bestial and mechanical violence, and obscenity.\u201d Ansel Adams\u2019 Fiat Lux project traverses the dark heart of 60s\u20141963 to 1968. It\u2019s a sprawling six-year commission from the University of California, the largest project the photographer ever tackled (his personal Yosemite obsession aside). 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