{"version":"1.0","provider_name":"UCR ARTS","provider_url":"https:\/\/ucrarts.ucr.edu","author_name":"Nikolay Maslov","author_url":"https:\/\/ucrarts.ucr.edu\/author\/nikolay\/","title":"Heresies: Still Ain\u2019t Satisfied - UCR ARTS","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"DUV8abulM2\"><a href=\"https:\/\/ucrarts.ucr.edu\/exhibitions\/heresies\/\">Heresies: Still Ain\u2019t Satisfied<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/ucrarts.ucr.edu\/exhibitions\/heresies\/embed\/#?secret=DUV8abulM2\" width=\"600\" height=\"338\" title=\"&#8220;Heresies: Still Ain\u2019t Satisfied&#8221; &#8212; UCR ARTS\" data-secret=\"DUV8abulM2\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/ucrarts.ucr.edu\/wp-content\/uploads\/2023\/03\/Heresies-1-front-cover_rotated_LR.jpg","thumbnail_width":800,"thumbnail_height":618,"description":"\u201cNew truths begin as heresies.\u201d This truism provided the title for Heresies: A Feminist Publication on Art and Politics, one of the most influential feminist journals of the last fifty years. Published between 1977 and 1993 in New York City, Heresies presented texts and projects by some of the most notable activists, artists, scholars, teachers, and writers of the era. Emerging from the ferment of international, national, and local movements for social justice\u2014including civil rights, women\u2019s equality, gay liberation, decolonization, peace\u2014the journal\u2019s ethos was grounded in a joyfully contentious pluralist feminism. Each issue was crafted by a new editorial collective of volunteers who organized it the issue around a particular theme related to art, theory, and politics. This collective ethos meant that over the course of its run, hundreds of individuals participated in the production of the magazine, enacting a collaborative feminist practice of meaning-making. As stated in the inaugural issue, \u201cWe are not only analyzing our own oppression in order to put an end to it, but also exploring concrete ways of transforming society into one that is socially just and culturally free.\u201dHeresies: Still Ain\u2019t Satisfied introduces the journal to a new audience. The exhibition highlights select editorial content to convey the breadth of the journal\u2019s visual and intellectual explorations, its collaborative mode of production, and its radically reflexive process of evaluation\u2014in short, the dynamism of engaged feminist world-making. Critically, this exhibition will serve as a platform for a series of discursive events and conversations that will expand on the journal\u2019s lessons, including its feminist and do-it-yourself mode of working, and its fearlessly self-critical process of intersectional evaluation. Programming organized in collaboration with those who work at, study within, and live alongside UCR will engage with some of the most acute issues of our time, and consider how feminist-informed art and politics can most productively shape new truths."}