{"version":"1.0","provider_name":"UCR ARTS","provider_url":"https:\/\/ucrarts.ucr.edu","author_name":"katyp","author_url":"https:\/\/ucrarts.ucr.edu\/author\/katyp\/","title":"Live from the Frontline (Colton and Fontana): Tamara Cedr\u00e9 - UCR ARTS","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"Jb8cAZ73IR\"><a href=\"https:\/\/ucrarts.ucr.edu\/exhibitions\/live-from-the-frontline-tamara-cedre\/\">Live from the Frontline (Colton and Fontana): Tamara Cedr\u00e9<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/ucrarts.ucr.edu\/exhibitions\/live-from-the-frontline-tamara-cedre\/embed\/#?secret=Jb8cAZ73IR\" width=\"600\" height=\"338\" title=\"&#8220;Live from the Frontline (Colton and Fontana): Tamara Cedr\u00e9&#8221; &#8212; UCR ARTS\" data-secret=\"Jb8cAZ73IR\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/ucrarts.ucr.edu\/wp-content\/uploads\/2024\/04\/Screen-Shot-2024-04-01-at-5.30.44-PM_Low-res-1.png","thumbnail_width":922,"thumbnail_height":608,"description":"A People\u2019s History of the I.E. presents Live from the Frontline, a participatory public memory project inviting artists into the archives and the landscapes of logistic to create site-specific works that explore the roots of environmental racism, and to concurrently advocate for social justice. The project includes eight sites located in Riverside and San Bernardino where long histories of colonialism and extraction from the land and labor are palpable, offering opportunities to reflect on what the curators call \u201cthe slow violence of the supply chain.\u201dIn this exhibition, artist Tamara Cedr\u00e9 examines the industrial heritage of Colton and Fontana as a way of framing current questions surrounding the sprawl of logistics. She juxtaposes her new photographic works with archival imagery to reveal the forces that have shaped settlement and land use in mostly BIPOC communities. Aerial footage, shot by supporting artist Adrian Metoyer gives a wider perspective as soundscapes crafted by media archivist Henry Apodaca with community journalist Anthony Victoria bring voices and sounds from the environment into the gallery.Cedr\u00e9 is a lens-based artist and educator whose practice employs archives to address issues at the nexus of land, labor, migration, and identity. She is currently a Visiting Professor at Pitzer College and lives\/works along the route of the supply chain between Los Angeles and the Inland Empire."}