{"id":5634,"date":"2016-06-02T11:26:23","date_gmt":"2016-06-02T18:26:23","guid":{"rendered":"http:\/\/ideasandsociety.ucr.edu\/?p=5634"},"modified":"2017-05-18T17:30:41","modified_gmt":"2017-05-19T00:30:41","slug":"filmmaker-scholars-to-discuss-ethnic-futurisms","status":"publish","type":"post","link":"https:\/\/ideasandsociety.ucr.edu\/news\/filmmaker-scholars-to-discuss-ethnic-futurisms\/","title":{"rendered":"Filmmaker, Scholars to Discuss Ethnic Futurisms"},"content":{"rendered":"

June 9 conference wraps up yearlong exploration of science fiction through the lens of racial inclusiveness<\/strong>
\nBy Bettye Miller<\/a> on June 2, 2016<\/em><\/strong><\/p>\n

\n
\"Sawyer<\/a>

A yearlong study of ethnic futurisms concludes with a conference on June 9. Art work by John Jennings<\/p><\/div>\n

<\/b>RIVERSIDE, Calif. \u2013 A yearlong exploration of ethnic futurisms at the University of California, Riverside concludes with a conference on Thursday, June 9, that will feature scholars of science fiction and fantasy literature and a SF filmmaker.<\/p>\n<\/div>\n

The all-day conference, \u201cNarrating the Future,\u201d will begin at 9:15 a.m. at the Center for Ideas and Society, located in College Building South. It is free and open to the public. Parking permits for Lot 6 \u00a0may be purchased at the kiosk on West Campus Drive at the University Avenue entrance to the campus.<\/p>\n

The event wraps up the yearlong Sawyer Seminar on Alternative Futurisms<\/a>, a program of scholarly discussions, graduate-level courses, and public lectures, panels, readings, and performances funded by a prestigious $175,000 Sawyer Seminar grant from The Andrew W. Mellon Foundation<\/a>. It built on the success of a Latino science fiction conference UCR\u2019s Science Fiction and Technoculture Studies<\/a> program presented in April 2014, an event believed to be the first of its kind in the country.<\/p>\n

\u201cThe Sawyer Seminar on Alternative Futurisms has hosted an extremely fruitful year of conversations about speculative fiction and diversity, highlighting the dynamic and innovative work in the field by authors and other artists of color and holding a number of panel discussions among scholars of these fields,\u201d said Sherryl Vint<\/a>, professor of English and a co-principal investigator on the project. \u201cOur events have explored how speculative fiction is a tool that can illuminate the ways that distinct experiences of colonialism, transnational flows of labor, and minority experiences of diaspora are shaped by a multitude of technosocial configurations.\u201d<\/p>\n

Artists, authors and scholars who visited UCR in the last year represent the cutting-edge of contemporary work in speculative fiction, she added.<\/p>\n

\u201cThey bring new perspectives to well-known narratives of technological \u2018progress\u2019 and offer new stories to tell about how technology shapes our lives from the points of view that haven\u2019t been sufficiently heard before. These events have seeded new conversations in the field, built bridges across various sites of study, and have achieved our goal of reorienting how one might approach the study of speculative fiction. We have begun to discover new futures might emerge through scholarship organized in new ways and look forward to continuing these conversations across the field of speculative fiction studies.\u201d<\/p>\n

Read full article<\/a><\/strong>

<\/div><\/div><\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"

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