FUENTEOVEJUNA, OR LIKE SHEEP TO WATER...

By Félix Lope de Vega y Carpio, translated by Curt Columbus

Director: Melanie Queponds
Scenic Designer: Kerry Jones
Costume Designer: Gee-gee Brass
Lighting Designer: Ben Tusher
Sound Designer: Kiah Fisher

In 1476, famine and unrest grip a fragile Spain newly united under Isabella and Ferdinand, even as King Alfonso of Portugal presses his claim. With the Knights of Calatrava wavering in loyalty, the fledgling kingdom teeters on the edge of civil war.

Please be advised that this production includes atmospheric smoke and loud sound effects, and contains some strong language, historic negative depictions of Moorish people and cultures, references to war, adult themes, sexual and tense situations, and scenes of violence.

The performance length is approximately 100 minutes, with no intermission.

View or download the program.

Please join us for a talkback with the dramaturg and members of the cast and production team following the February 20th performance.

TICKETS (ON SALE FEBRUARY 2, 2026 AT 8:00AM):
$15 General, $12 students, UCR alumni cardholders, senior citizens, & children.
Currently enrolled UCR Students can reserve one complimentary ticket online when tickets go on sale.
All ticket sales are online or via QR card at the venue. Cashless payments only (credit card, debit card, Apple Pay, Google Pay).

There is no reserved seating so arrive early for the best seats.
The performance will begin promptly at the announced curtain time and latecomers will only be seated at an appropriate pause in the program.
No exchanges or refunds will be made, except in the event a performance is canceled.

CAST:
Captain Flores / Manrique; Steven Tyson
Sergeant Ortuño / King Ferdinand of Aragon: Edwin Tolosagonzales
Commander Fernán Gómez De Guzmán: Nathan Reiner
Grand Master Rodrigo Téllez Girón / Alonso: Karen Paley
Laurencia: Kylah Kintaudi
Pascuala: Yennie Cannon
Frondoso: Kristion Antoine
Mengo / Second Councilor: Juan-Manuel Cardona-Flores
Barrildo / Cimbranos / First Councilor: James Medina
Jacinta / Queen Isabella of Castile: Aneliz Rios
Juana Roja: Ella Escobar
Esteban: Kalin Pont-Tate

PRODUCTION STAFF:
Stage Manager: Fern Woertink
Assistant Stage Managers: Diego Capriel, Jeremy Gutierrez
Dramaturg: Colin Loveland
Fight Choreographer: Ken Merckx
Intimacy Choreographer: Shinshin Tsai
Assistant Director: Isabella Singley
Assistant Scenic Designer: Daniella Escobar
Assistant Costume Designer: Isabella Hogan
Assistant Lighting Designer: Alex Corral
Assistant Sound Designer: Sonia Tinoco

PARKING:
Please click here for parking information and directions.

February 12, 8:00pm
February 13, 8:00pm
February 14, 8:00pm
February 19, 8:00pm
February 20, 8:00pm
February 21, 2:30pm
February 21, 8:00pm
ARTS Studio Theatre

View on site | Email this event

FUENTEOVEJUNA, OR LIKE SHEEP TO WATER...

By Félix Lope de Vega y Carpio, translated by Curt Columbus

Director: Melanie Queponds
Scenic Designer: Kerry Jones
Costume Designer: Gee-gee Brass
Lighting Designer: Ben Tusher
Sound Designer: Kiah Fisher

In 1476, famine and unrest grip a fragile Spain newly united under Isabella and Ferdinand, even as King Alfonso of Portugal presses his claim. With the Knights of Calatrava wavering in loyalty, the fledgling kingdom teeters on the edge of civil war.

Please be advised that this production includes atmospheric smoke and loud sound effects, and contains some strong language, historic negative depictions of Moorish people and cultures, references to war, adult themes, sexual and tense situations, and scenes of violence.

The performance length is approximately 100 minutes, with no intermission.

View or download the program.

Please join us for a talkback with the dramaturg and members of the cast and production team following the February 20th performance.

TICKETS (ON SALE FEBRUARY 2, 2026 AT 8:00AM):
$15 General, $12 students, UCR alumni cardholders, senior citizens, & children.
Currently enrolled UCR Students can reserve one complimentary ticket online when tickets go on sale.
All ticket sales are online or via QR card at the venue. Cashless payments only (credit card, debit card, Apple Pay, Google Pay).

There is no reserved seating so arrive early for the best seats.
The performance will begin promptly at the announced curtain time and latecomers will only be seated at an appropriate pause in the program.
No exchanges or refunds will be made, except in the event a performance is canceled.

CAST:
Captain Flores / Manrique; Steven Tyson
Sergeant Ortuño / King Ferdinand of Aragon: Edwin Tolosagonzales
Commander Fernán Gómez De Guzmán: Nathan Reiner
Grand Master Rodrigo Téllez Girón / Alonso: Karen Paley
Laurencia: Kylah Kintaudi
Pascuala: Yennie Cannon
Frondoso: Kristion Antoine
Mengo / Second Councilor: Juan-Manuel Cardona-Flores
Barrildo / Cimbranos / First Councilor: James Medina
Jacinta / Queen Isabella of Castile: Aneliz Rios
Juana Roja: Ella Escobar
Esteban: Kalin Pont-Tate

PRODUCTION STAFF:
Stage Manager: Fern Woertink
Assistant Stage Managers: Diego Capriel, Jeremy Gutierrez
Dramaturg: Colin Loveland
Fight Choreographer: Ken Merckx
Intimacy Choreographer: Shinshin Tsai
Assistant Director: Isabella Singley
Assistant Scenic Designer: Daniella Escobar
Assistant Costume Designer: Isabella Hogan
Assistant Lighting Designer: Alex Corral
Assistant Sound Designer: Sonia Tinoco

PARKING:
Please click here for parking information and directions.

February 12, 8:00pm
February 13, 8:00pm
February 14, 8:00pm
February 19, 8:00pm
February 20, 8:00pm
February 21, 2:30pm
February 21, 8:00pm
ARTS Studio Theatre

View on site | Email this event

FUENTEOVEJUNA, OR LIKE SHEEP TO WATER...

By Félix Lope de Vega y Carpio, translated by Curt Columbus

Director: Melanie Queponds
Scenic Designer: Kerry Jones
Costume Designer: Gee-gee Brass
Lighting Designer: Ben Tusher
Sound Designer: Kiah Fisher

In 1476, famine and unrest grip a fragile Spain newly united under Isabella and Ferdinand, even as King Alfonso of Portugal presses his claim. With the Knights of Calatrava wavering in loyalty, the fledgling kingdom teeters on the edge of civil war.

Please be advised that this production includes atmospheric smoke and loud sound effects, and contains some strong language, historic negative depictions of Moorish people and cultures, references to war, adult themes, sexual and tense situations, and scenes of violence.

The performance length is approximately 100 minutes, with no intermission.

View or download the program.

Please join us for a talkback with the dramaturg and members of the cast and production team following the February 20th performance.

TICKETS (ON SALE FEBRUARY 2, 2026 AT 8:00AM):
$15 General, $12 students, UCR alumni cardholders, senior citizens, & children.
Currently enrolled UCR Students can reserve one complimentary ticket online when tickets go on sale.
All ticket sales are online or via QR card at the venue. Cashless payments only (credit card, debit card, Apple Pay, Google Pay).

There is no reserved seating so arrive early for the best seats.
The performance will begin promptly at the announced curtain time and latecomers will only be seated at an appropriate pause in the program.
No exchanges or refunds will be made, except in the event a performance is canceled.

CAST:
Captain Flores / Manrique; Steven Tyson
Sergeant Ortuño / King Ferdinand of Aragon: Edwin Tolosagonzales
Commander Fernán Gómez De Guzmán: Nathan Reiner
Grand Master Rodrigo Téllez Girón / Alonso: Karen Paley
Laurencia: Kylah Kintaudi
Pascuala: Yennie Cannon
Frondoso: Kristion Antoine
Mengo / Second Councilor: Juan-Manuel Cardona-Flores
Barrildo / Cimbranos / First Councilor: James Medina
Jacinta / Queen Isabella of Castile: Aneliz Rios
Juana Roja: Ella Escobar
Esteban: Kalin Pont-Tate

PRODUCTION STAFF:
Stage Manager: Fern Woertink
Assistant Stage Managers: Diego Capriel, Jeremy Gutierrez
Dramaturg: Colin Loveland
Fight Choreographer: Ken Merckx
Intimacy Choreographer: Shinshin Tsai
Assistant Director: Isabella Singley
Assistant Scenic Designer: Daniella Escobar
Assistant Costume Designer: Isabella Hogan
Assistant Lighting Designer: Alex Corral
Assistant Sound Designer: Sonia Tinoco

PARKING:
Please click here for parking information and directions.

February 12, 8:00pm
February 13, 8:00pm
February 14, 8:00pm
February 19, 8:00pm
February 20, 8:00pm
February 21, 2:30pm
February 21, 8:00pm
ARTS Studio Theatre

View on site | Email this event

FUENTEOVEJUNA, OR LIKE SHEEP TO WATER...

By Félix Lope de Vega y Carpio, translated by Curt Columbus

Director: Melanie Queponds
Scenic Designer: Kerry Jones
Costume Designer: Gee-gee Brass
Lighting Designer: Ben Tusher
Sound Designer: Kiah Fisher

In 1476, famine and unrest grip a fragile Spain newly united under Isabella and Ferdinand, even as King Alfonso of Portugal presses his claim. With the Knights of Calatrava wavering in loyalty, the fledgling kingdom teeters on the edge of civil war.

Please be advised that this production includes atmospheric smoke and loud sound effects, and contains some strong language, historic negative depictions of Moorish people and cultures, references to war, adult themes, sexual and tense situations, and scenes of violence.

The performance length is approximately 100 minutes, with no intermission.

View or download the program.

Please join us for a talkback with the dramaturg and members of the cast and production team following the February 20th performance.

TICKETS (ON SALE FEBRUARY 2, 2026 AT 8:00AM):
$15 General, $12 students, UCR alumni cardholders, senior citizens, & children.
Currently enrolled UCR Students can reserve one complimentary ticket online when tickets go on sale.
All ticket sales are online or via QR card at the venue. Cashless payments only (credit card, debit card, Apple Pay, Google Pay).

There is no reserved seating so arrive early for the best seats.
The performance will begin promptly at the announced curtain time and latecomers will only be seated at an appropriate pause in the program.
No exchanges or refunds will be made, except in the event a performance is canceled.

CAST:
Captain Flores / Manrique; Steven Tyson
Sergeant Ortuño / King Ferdinand of Aragon: Edwin Tolosagonzales
Commander Fernán Gómez De Guzmán: Nathan Reiner
Grand Master Rodrigo Téllez Girón / Alonso: Karen Paley
Laurencia: Kylah Kintaudi
Pascuala: Yennie Cannon
Frondoso: Kristion Antoine
Mengo / Second Councilor: Juan-Manuel Cardona-Flores
Barrildo / Cimbranos / First Councilor: James Medina
Jacinta / Queen Isabella of Castile: Aneliz Rios
Juana Roja: Ella Escobar
Esteban: Kalin Pont-Tate

PRODUCTION STAFF:
Stage Manager: Fern Woertink
Assistant Stage Managers: Diego Capriel, Jeremy Gutierrez
Dramaturg: Colin Loveland
Fight Choreographer: Ken Merckx
Intimacy Choreographer: Shinshin Tsai
Assistant Director: Isabella Singley
Assistant Scenic Designer: Daniella Escobar
Assistant Costume Designer: Isabella Hogan
Assistant Lighting Designer: Alex Corral
Assistant Sound Designer: Sonia Tinoco

PARKING:
Please click here for parking information and directions.

February 12, 8:00pm
February 13, 8:00pm
February 14, 8:00pm
February 19, 8:00pm
February 20, 8:00pm
February 21, 2:30pm
February 21, 8:00pm
ARTS Studio Theatre

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TILLY NO-BODY

A remarkable true story of resilience and love
Written and performed by Bella Merlin
Directed by Miles Anderson

March 6, 8:00pm
March 7, 2:00pm
ARTS Studio Theatre
Free and open to the public
No reservations required (first-come first-served). Doors open 30 minutes prior to show time.
The performance will begin promptly at the announced curtain time and latecomers will only be seated at an appropriate pause in the program.

Germany, 1917. A lone woman. A bottle of poison. A momentous decision…

In a deserted circus, drama, humour, music and songs tell the true story of actress Tilly Wedekind and her controlling, famous writer-husband, Frank Wedekind (Spring Awakening). When Frank robs Tilly of her acting roles he reduces her to a Nobody. Broken-hearted, she swallows poison. But following her recovery, she reclaims her career, discovers her voice, and as an 80-year-old woman she finally writes her own story. Tilly No-Body becomes a Somebody.

This internationally acclaimed, tour-de-force performance about sex and love, transformation and identity asks: Why do we stay in relationships long after they’ve turned toxic? How can we find our voices after we’ve been silenced? Can sharing our stories help us reshape our lives?

Award-winning actor and writer Bella Merlin brings her previous experience of a violent relationship: “Tilly’s resilience came through writing her own story – mine has come through playing her. It became a way of saying we can get through this, we can survive.”

BODY-WORD-VOICE is a practice-as-research initiative led by Drs. Annika Speer and Bella Merlin, funded by SoCal/OASIS/Office of Research and Economic Development. We use theatrical performance, actor-training skills, and public-speaking techniques as a means of listening to the body, finding words for the embodied information, and giving voice to those words. We explore creative frameworks and mindful practices for navigating complex emotions through shared storytelling, witnessing and listening.

Scenic Designer: Kerry Jones
Costume Designer: Maggie Morgan
Lighting Designer: Ben Tusher
Sound Designer: David Roesner
Dramaturg: Annika Speer
Stage Manager: Vanessa Baez

Winner, Edinburgh Festival Fringe Theatre Award (EFFTA)
Pick of the Fringe ‘Highly recommended’ ★★★★
‘flawlessly performed’ Three Weeks ★★★★
‘a chilling resonance’ Broadway Baby ★★★★
‘Where does actor end and character begin?... the effect is intoxicating’ LouReviews ★★★★
‘Performed by Merlin with precision and pathos’ The Scotsman
‘a masterclass in multi-talent…keen direction by Miles Anderson’ Binge Fringe Review
‘Costume is shed piece by piece, symbolic of Tilly sharing her story with us’ Musical Theatre Review

PARKING:
Please click here for parking information and directions.

View on site | Email this event

TILLY NO-BODY

A remarkable true story of resilience and love
Written and performed by Bella Merlin
Directed by Miles Anderson

March 6, 8:00pm
March 7, 2:00pm
ARTS Studio Theatre
Free and open to the public
No reservations required (first-come first-served). Doors open 30 minutes prior to show time.
The performance will begin promptly at the announced curtain time and latecomers will only be seated at an appropriate pause in the program.

Germany, 1917. A lone woman. A bottle of poison. A momentous decision…

In a deserted circus, drama, humour, music and songs tell the true story of actress Tilly Wedekind and her controlling, famous writer-husband, Frank Wedekind (Spring Awakening). When Frank robs Tilly of her acting roles he reduces her to a Nobody. Broken-hearted, she swallows poison. But following her recovery, she reclaims her career, discovers her voice, and as an 80-year-old woman she finally writes her own story. Tilly No-Body becomes a Somebody.

This internationally acclaimed, tour-de-force performance about sex and love, transformation and identity asks: Why do we stay in relationships long after they’ve turned toxic? How can we find our voices after we’ve been silenced? Can sharing our stories help us reshape our lives?

Award-winning actor and writer Bella Merlin brings her previous experience of a violent relationship: “Tilly’s resilience came through writing her own story – mine has come through playing her. It became a way of saying we can get through this, we can survive.”

BODY-WORD-VOICE is a practice-as-research initiative led by Drs. Annika Speer and Bella Merlin, funded by SoCal/OASIS/Office of Research and Economic Development. We use theatrical performance, actor-training skills, and public-speaking techniques as a means of listening to the body, finding words for the embodied information, and giving voice to those words. We explore creative frameworks and mindful practices for navigating complex emotions through shared storytelling, witnessing and listening.

Scenic Designer: Kerry Jones
Costume Designer: Maggie Morgan
Lighting Designer: Ben Tusher
Sound Designer: David Roesner
Dramaturg: Annika Speer
Stage Manager: Vanessa Baez

Winner, Edinburgh Festival Fringe Theatre Award (EFFTA)
Pick of the Fringe ‘Highly recommended’ ★★★★
‘flawlessly performed’ Three Weeks ★★★★
‘a chilling resonance’ Broadway Baby ★★★★
‘Where does actor end and character begin?... the effect is intoxicating’ LouReviews ★★★★
‘Performed by Merlin with precision and pathos’ The Scotsman
‘a masterclass in multi-talent…keen direction by Miles Anderson’ Binge Fringe Review
‘Costume is shed piece by piece, symbolic of Tilly sharing her story with us’ Musical Theatre Review

PARKING:
Please click here for parking information and directions.

View on site | Email this event

SOMETIMES THE RAIN, SOMETIMES THE SEA

By Julia Izumi

May 7-16, 2026
ARTS Studio Theatre

This playful and quirky adaptation of The Little Mermaid follows a Little Rain Cloud who falls in love with a human while also unpacking Hans Christian Andersen’s personal history - though, as our narrator insists, it’s not The Little Mermaid at all.

“Sometimes the Rain, Sometimes the Sea” is presented by arrangement with Concord Theatricals on behalf of Samuel French, Inc.
www.concordtheatricals.com

TICKETS (ON SALE APRIL 27, 2026 AT 8:00AM):
$15 General, $12 students, UCR alumni cardholders, senior citizens, & children.
Currently enrolled UCR Students can reserve one complimentary ticket online when tickets go on sale.
All ticket sales are online or via QR card at the venue. Cashless payments only (credit card, debit card, Apple Pay, Google Pay).

There is no reserved seating so arrive early for the best seats.
The performance will begin promptly at the announced curtain time and latecomers will only be seated at an appropriate pause in the program.
No exchanges or refunds will be made, except in the event a performance is canceled.

PARKING:
Please click here for parking information and directions.

View on site | Email this event

SOMETIMES THE RAIN, SOMETIMES THE SEA

By Julia Izumi

May 7-16, 2026
ARTS Studio Theatre

This playful and quirky adaptation of The Little Mermaid follows a Little Rain Cloud who falls in love with a human while also unpacking Hans Christian Andersen’s personal history - though, as our narrator insists, it’s not The Little Mermaid at all.

“Sometimes the Rain, Sometimes the Sea” is presented by arrangement with Concord Theatricals on behalf of Samuel French, Inc.
www.concordtheatricals.com

TICKETS (ON SALE APRIL 27, 2026 AT 8:00AM):
$15 General, $12 students, UCR alumni cardholders, senior citizens, & children.
Currently enrolled UCR Students can reserve one complimentary ticket online when tickets go on sale.
All ticket sales are online or via QR card at the venue. Cashless payments only (credit card, debit card, Apple Pay, Google Pay).

There is no reserved seating so arrive early for the best seats.
The performance will begin promptly at the announced curtain time and latecomers will only be seated at an appropriate pause in the program.
No exchanges or refunds will be made, except in the event a performance is canceled.

PARKING:
Please click here for parking information and directions.

View on site | Email this event

SOMETIMES THE RAIN, SOMETIMES THE SEA

By Julia Izumi

May 7-16, 2026
ARTS Studio Theatre

This playful and quirky adaptation of The Little Mermaid follows a Little Rain Cloud who falls in love with a human while also unpacking Hans Christian Andersen’s personal history - though, as our narrator insists, it’s not The Little Mermaid at all.

“Sometimes the Rain, Sometimes the Sea” is presented by arrangement with Concord Theatricals on behalf of Samuel French, Inc.
www.concordtheatricals.com

TICKETS (ON SALE APRIL 27, 2026 AT 8:00AM):
$15 General, $12 students, UCR alumni cardholders, senior citizens, & children.
Currently enrolled UCR Students can reserve one complimentary ticket online when tickets go on sale.
All ticket sales are online or via QR card at the venue. Cashless payments only (credit card, debit card, Apple Pay, Google Pay).

There is no reserved seating so arrive early for the best seats.
The performance will begin promptly at the announced curtain time and latecomers will only be seated at an appropriate pause in the program.
No exchanges or refunds will be made, except in the event a performance is canceled.

PARKING:
Please click here for parking information and directions.

View on site | Email this event

SOMETIMES THE RAIN, SOMETIMES THE SEA

By Julia Izumi

May 7-16, 2026
ARTS Studio Theatre

This playful and quirky adaptation of The Little Mermaid follows a Little Rain Cloud who falls in love with a human while also unpacking Hans Christian Andersen’s personal history - though, as our narrator insists, it’s not The Little Mermaid at all.

“Sometimes the Rain, Sometimes the Sea” is presented by arrangement with Concord Theatricals on behalf of Samuel French, Inc.
www.concordtheatricals.com

TICKETS (ON SALE APRIL 27, 2026 AT 8:00AM):
$15 General, $12 students, UCR alumni cardholders, senior citizens, & children.
Currently enrolled UCR Students can reserve one complimentary ticket online when tickets go on sale.
All ticket sales are online or via QR card at the venue. Cashless payments only (credit card, debit card, Apple Pay, Google Pay).

There is no reserved seating so arrive early for the best seats.
The performance will begin promptly at the announced curtain time and latecomers will only be seated at an appropriate pause in the program.
No exchanges or refunds will be made, except in the event a performance is canceled.

PARKING:
Please click here for parking information and directions.

View on site | Email this event

SOMETIMES THE RAIN, SOMETIMES THE SEA

By Julia Izumi

May 7-16, 2026
ARTS Studio Theatre

This playful and quirky adaptation of The Little Mermaid follows a Little Rain Cloud who falls in love with a human while also unpacking Hans Christian Andersen’s personal history - though, as our narrator insists, it’s not The Little Mermaid at all.

“Sometimes the Rain, Sometimes the Sea” is presented by arrangement with Concord Theatricals on behalf of Samuel French, Inc.
www.concordtheatricals.com

TICKETS (ON SALE APRIL 27, 2026 AT 8:00AM):
$15 General, $12 students, UCR alumni cardholders, senior citizens, & children.
Currently enrolled UCR Students can reserve one complimentary ticket online when tickets go on sale.
All ticket sales are online or via QR card at the venue. Cashless payments only (credit card, debit card, Apple Pay, Google Pay).

There is no reserved seating so arrive early for the best seats.
The performance will begin promptly at the announced curtain time and latecomers will only be seated at an appropriate pause in the program.
No exchanges or refunds will be made, except in the event a performance is canceled.

PARKING:
Please click here for parking information and directions.

View on site | Email this event

SOMETIMES THE RAIN, SOMETIMES THE SEA

By Julia Izumi

May 7-16, 2026
ARTS Studio Theatre

This playful and quirky adaptation of The Little Mermaid follows a Little Rain Cloud who falls in love with a human while also unpacking Hans Christian Andersen’s personal history - though, as our narrator insists, it’s not The Little Mermaid at all.

“Sometimes the Rain, Sometimes the Sea” is presented by arrangement with Concord Theatricals on behalf of Samuel French, Inc.
www.concordtheatricals.com

TICKETS (ON SALE APRIL 27, 2026 AT 8:00AM):
$15 General, $12 students, UCR alumni cardholders, senior citizens, & children.
Currently enrolled UCR Students can reserve one complimentary ticket online when tickets go on sale.
All ticket sales are online or via QR card at the venue. Cashless payments only (credit card, debit card, Apple Pay, Google Pay).

There is no reserved seating so arrive early for the best seats.
The performance will begin promptly at the announced curtain time and latecomers will only be seated at an appropriate pause in the program.
No exchanges or refunds will be made, except in the event a performance is canceled.

PARKING:
Please click here for parking information and directions.

View on site | Email this event

SOMETIMES THE RAIN, SOMETIMES THE SEA

By Julia Izumi

May 7-16, 2026
ARTS Studio Theatre

This playful and quirky adaptation of The Little Mermaid follows a Little Rain Cloud who falls in love with a human while also unpacking Hans Christian Andersen’s personal history - though, as our narrator insists, it’s not The Little Mermaid at all.

“Sometimes the Rain, Sometimes the Sea” is presented by arrangement with Concord Theatricals on behalf of Samuel French, Inc.
www.concordtheatricals.com

TICKETS (ON SALE APRIL 27, 2026 AT 8:00AM):
$15 General, $12 students, UCR alumni cardholders, senior citizens, & children.
Currently enrolled UCR Students can reserve one complimentary ticket online when tickets go on sale.
All ticket sales are online or via QR card at the venue. Cashless payments only (credit card, debit card, Apple Pay, Google Pay).

There is no reserved seating so arrive early for the best seats.
The performance will begin promptly at the announced curtain time and latecomers will only be seated at an appropriate pause in the program.
No exchanges or refunds will be made, except in the event a performance is canceled.

PARKING:
Please click here for parking information and directions.

View on site | Email this event

PLAYWORKS

by UCR Undergraduate and MFA Playwrights

Erith Jaffe-Berg, Artistic Director

May 26-27, 2026
7:00pm
ARTS Studio Theatre
Free and open to the public

Premiere productions exploring issues and textures of contemporary life by the best UCR student playwrights. A different slate of work is scheduled for each performance.

PARKING:
Please click here for parking information and directions.

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PLAYWORKS

by UCR Undergraduate and MFA Playwrights

Erith Jaffe-Berg, Artistic Director

May 26-27, 2026
7:00pm
ARTS Studio Theatre
Free and open to the public

Premiere productions exploring issues and textures of contemporary life by the best UCR student playwrights. A different slate of work is scheduled for each performance.

PARKING:
Please click here for parking information and directions.

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NEW WORKS FESTIVAL

by UCR MFA Playwrights and Screenwriters
Megan Tabaque, Artistic Director

June 3 & 5, 2026
7:00pm
ARTS Studio Theatre
Free and open to the public

The New Works Festival proudly presents developmental staged readings of new plays written by our graduating MFA Playwriting Candidates in UCR’s Creative Writing and Writing for the Performing Arts MFA Program. This three night event brings student playwrights, student actors, and student dramaturgs into process with professional directors to model the rigor, curiosity, collaboration, and revision required at a professional level to give new plays life! The New Works Festival celebrates tomorrow’s emerging theater makers TODAY.

PARKING:
Please click here for parking information and directions.​​

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CULMINATION CELEBRATION

June 5, 2026
1:00pm
ARTS Studio Theatre
Free and open to the public

Join us for this exciting event featuring a presentation of the winners of this year’s Marius de Brabant Chancellor’s Performance Awards, the Eric Barr Acting Award, the Richard Risso Award, and the Emory Elliott Award followed by a luncheon.

PARKING:
Please click here for parking information and directions.

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NEW WORKS FESTIVAL

by UCR MFA Playwrights and Screenwriters
Megan Tabaque, Artistic Director

June 3 & 5, 2026
7:00pm
ARTS Studio Theatre
Free and open to the public

The New Works Festival proudly presents developmental staged readings of new plays written by our graduating MFA Playwriting Candidates in UCR’s Creative Writing and Writing for the Performing Arts MFA Program. This three night event brings student playwrights, student actors, and student dramaturgs into process with professional directors to model the rigor, curiosity, collaboration, and revision required at a professional level to give new plays life! The New Works Festival celebrates tomorrow’s emerging theater makers TODAY.

PARKING:
Please click here for parking information and directions.​​

View on site | Email this event