{"id":3677,"date":"2019-09-12T16:01:16","date_gmt":"2019-09-12T23:01:16","guid":{"rendered":"https:\/\/complitlang.ucr.edu\/?page_id=3677"},"modified":"2026-02-02T15:10:03","modified_gmt":"2026-02-02T23:10:03","slug":"anne-mcknight","status":"publish","type":"page","link":"https:\/\/complitlang.ucr.edu\/people\/faculty\/anne-mcknight\/","title":{"rendered":"Faculty: Anne McKnight"},"content":{"rendered":"\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-hs9ht-c11d24832419fb2b6ce79d7f7c7bb044\">\n.flex_column.av-hs9ht-c11d24832419fb2b6ce79d7f7c7bb044{\nborder-radius:0px 0px 0px 0px;\npadding:0px 0px 0px 0px;\n}\n<\/style>\n<div  class='flex_column av-hs9ht-c11d24832419fb2b6ce79d7f7c7bb044 av_one_full  avia-builder-el-0  el_before_av_one_third  avia-builder-el-first  first flex_column_div av-zero-column-padding  '     ><style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-24k6c1-9f7cc57ca1bdbe19bd86dfa71642baf8\">\n#top .av-special-heading.av-24k6c1-9f7cc57ca1bdbe19bd86dfa71642baf8{\npadding-bottom:10px;\n}\nbody .av-special-heading.av-24k6c1-9f7cc57ca1bdbe19bd86dfa71642baf8 .av-special-heading-tag .heading-char{\nfont-size:25px;\n}\n.av-special-heading.av-24k6c1-9f7cc57ca1bdbe19bd86dfa71642baf8 .av-subheading{\nfont-size:15px;\n}\n<\/style>\n<div  class='av-special-heading av-24k6c1-9f7cc57ca1bdbe19bd86dfa71642baf8 av-special-heading-h2  avia-builder-el-1  avia-builder-el-no-sibling '><h2 class='av-special-heading-tag'  itemprop=\"headline\"  >Faculty<\/h2><div class=\"special-heading-border\"><div class=\"special-heading-inner-border\"><\/div><\/div><\/div><\/div>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-8uzgfl-b9f655e7e4bf412329dd40d6162e7bdc\">\n.flex_column.av-8uzgfl-b9f655e7e4bf412329dd40d6162e7bdc{\nborder-radius:0px 0px 0px 0px;\npadding:0px 0px 0px 20px;\n}\n<\/style>\n<div  class='flex_column av-8uzgfl-b9f655e7e4bf412329dd40d6162e7bdc av_one_third  avia-builder-el-2  el_after_av_one_full  el_before_av_two_third  first flex_column_div  column-top-margin'     ><section  class='avia-team-member av-7g9jep-dcb54496574cf44d0f302f483e9b5ca5  avia-builder-el-3  avia-builder-el-no-sibling '  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/Person\" ><div class=\"team-img-container\"><img decoding=\"async\" fetchpriority=\"high\" class='wp-image-3678 avia-img-lazy-loading-not-3678 avia_image avia_image_team' src=\"https:\/\/complitlang.ucr.edu\/wp-content\/uploads\/2019\/09\/mcknight.jpg\" alt='Anne McKnight'  itemprop=\"image\"   height=\"750\" width=\"500\" srcset=\"https:\/\/complitlang.ucr.edu\/wp-content\/uploads\/2019\/09\/mcknight.jpg 500w, https:\/\/complitlang.ucr.edu\/wp-content\/uploads\/2019\/09\/mcknight-200x300.jpg 200w, https:\/\/complitlang.ucr.edu\/wp-content\/uploads\/2019\/09\/mcknight-470x705.jpg 470w, https:\/\/complitlang.ucr.edu\/wp-content\/uploads\/2019\/09\/mcknight-450x675.jpg 450w\" sizes=\"(max-width: 500px) 100vw, 500px\" \/><\/div><h3 class='team-member-name '  itemprop=\"name\" >Anne McKnight<\/h3><div class='team-member-job-title '  itemprop=\"jobTitle\" >Associate Professor, <em>Comparative Literature\/Japanese<\/em><\/div><div class='team-member-description '  itemprop=\"description\" ><p>PhD in Comparative Literature, emphasis in Japanese and American Literatures, UC Berkeley, 2001<\/p>\n<p>Researcher in modern Japanese literature, Dept. of Language and Information Studies, Tokyo University, Tokyo, Japan, 1996-99<\/p>\n<p>Intensive Language Training Inter-University Center for Japanese Language Training, Stanford University, Yokohama, Japan, 1994-1995<\/p>\n<p>MA in Comparative Literature, UC Berkeley, 1992<br \/>\nBA in English (magna cum laude), Wellesley College, 1988<\/p>\n<p><strong>Email:<\/strong> <a href=\"mailto:anne.mcknight@ucr.edu \">anne.mcknight@ucr.edu <\/a><\/p>\n<hr \/>\n<p>For letters of recommendation, please submit all materials at least two weeks in advance through this portal: <a href=\"https:\/\/forms.gle\/H1DCoUFvhKpnbCUK9\" target=\"_blank\" rel=\"noopener\">https:\/\/forms.gle\/H1DCoUFvhKpnbCUK9<\/a>. Prof. McKnight will need at least two weeks to write the letter after receiving all the materials, including the link or invitation to write the individual letter.<\/p>\n<\/div><span class='hidden team-member-affiliation'  itemprop=\"affiliation\" >UCR | Department of Comparative Literature and Languages<\/span><\/section><\/div>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-665369-86dc8639c80a054b2b93efd29613451a\">\n.flex_column.av-665369-86dc8639c80a054b2b93efd29613451a{\nborder-radius:0px 0px 0px 0px;\npadding:0px 20px 0px 0px;\n}\n<\/style>\n<div  class='flex_column av-665369-86dc8639c80a054b2b93efd29613451a av_two_third  avia-builder-el-4  el_after_av_one_third  avia-builder-el-last  flex_column_div  column-top-margin'     ><p><section  class='av_textblock_section av-4c0wg1-a12de673e690f909fa2ba59cb8e57a84 '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><p><span style=\"font-weight: 400;\">Anne McKnight is Associate Professor of Japanese and Comparative Literature, and director of the program on Japan, as well as Vice Chair of the Comparative Literature Department. Her research interests are in Japanese literature and culture since 1945, with an emphasis on literature\u2019s relation with other media.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Her monograph,\u00a0<\/span><em><span style=\"font-weight: 400;\">Nakagami, Japan: Buraku and the Writing of Ethnicity <\/span><\/em><span style=\"font-weight: 400;\">(Minnesota, 2011) showed how Nakagami Kenji, the first big-ticket writer from an outcast class in Japan, aimed to re-write Japanese literature by writing in elements of oral culture, the Japanese \u201csouth,\u201d and insights about racialization drawn from African American literature. She also works on cinema, especially non-fiction film, and food studies, with publications on eco-cinema (in Japanese); blackness in Japanese literature; contemporary eco-cinema and first-person filmmaking in small studios; Japanese science film; feminist challenges to censorship in contemporary art; and uses of Frenchness in Japanese pop culture, as well as many classes taught in community gardens.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Her book on Kurosawa Akira and his incarnations as a cin\u00e9phile, <\/span><em><span style=\"font-weight: 400;\">Long Take<\/span><\/em><span style=\"font-weight: 400;\">, is scheduled to come out from University of Minnesota Press in Fall 2025.<\/span><\/p>\n<p><b>SELECTED PUBLICATIONS\u00a0<\/b><\/p>\n<p><b>BOOKS<\/b><\/p>\n<p><em><span style=\"font-weight: 400;\">Long Take: Kurosawa Akira As Cin\u00e9phile <\/span><\/em><span style=\"font-weight: 400;\">(\u5922\u306f\u5929\u624d\u3067\u3042\u308b\u3001\u6587\u82b8\u6625\u79cb\u30011999). Translation and critical introduction to book of interviews, essays and roundtable discussions with director Kurosawa Akira. Forthcoming Fall 2025 from University of Minnesota Press.<\/span><\/p>\n<p><em><span style=\"font-weight: 400;\">Nakagami, Japan: Buraku and the Writing of Ethnicity<\/span><\/em><span style=\"font-weight: 400;\">\u00a0(Minneapolis: University of Minnesota Press, March 2011). <\/span><a href=\"https:\/\/www.upress.umn.edu\/9780816672868\/nakagami-japan\/\"><span style=\"font-weight: 400;\">Link<\/span><\/a><span style=\"font-weight: 400;\"> to book.\u00a0<\/span><\/p>\n<p><b>BOOK CHAPTERS<\/b><\/p>\n<p><span style=\"font-weight: 400;\">2025 [forthcoming] <\/span><i><span style=\"font-weight: 400;\">\u201c<\/span><\/i><em><span style=\"font-weight: 400;\">The Cherry Tree with Grey Blossoms: <\/span><\/em><span style=\"font-weight: 400;\">An Ecology of the Everyday<\/span><span style=\"font-weight: 400;\">,<\/span><span style=\"font-weight: 400;\">\u201d <\/span><span style=\"font-weight: 400;\">on filmmaker Haneda Sumiko\u2019s essayistic eco-cinema,<\/span> <span style=\"font-weight: 400;\">in<\/span><em><span style=\"font-weight: 400;\"> Haneda Sumiko: Approaches to Gender, Culture, Society and the Arts in Japanese Documentary Film<\/span><\/em><span style=\"font-weight: 400;\"><em>.<\/em> Eds. Marcos Centeno, Irene Gonz\u00e1lez-L\u00f3pez and Alejandra Armend\u00e1riz-Hern\u00e1ndez. Under contract with Routledge.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">2022 <\/span> <span style=\"font-weight: 400;\">\u201cGeysers of Another Nature: The Optical Unconscious of the Japanese Science Film,\u201d in\u00a0<\/span><em><span style=\"font-weight: 400;\">Routledge Handbook of Japanese Cinema<\/span><\/em><span style=\"font-weight: 400;\">, eds. Shota Ogawa and Joanne Bernardi. <\/span><a href=\"https:\/\/www.routledge.com\/Routledge-Handbook-of-Japanese-Cinema\/Bernardi-Ogawa\/p\/book\/9780367528188?srsltid=AfmBOorEHtCIMBFUqTyeYglh_exvaz3eHRIHo-ORe8mhZOHI2vAtZF8K\"><span style=\"font-weight: 400;\">Link<\/span><\/a><span style=\"font-weight: 400;\"> to book.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">2017\u00a0\u300c\u30a8\u30b3\u30b7\u30cd\u30de\u306e\u300e\u7b2c\u56db\u306e\u58c1\u300f\u3092\u3068\u304a\u3057\u3066\u300d\u3001\u30a2\u30a6\u30ea\u30aa\u30f3\u53e2\u66f8 \u7b2c\u00a017\u00a0\u53f7(\u5f18\u5b66\u793e\u30012017\u00a0\u5e74), 147-161 (English title: \u201cAcross the \u2018Fourth Wall\u2019 of Eco-Cinema\u201d).<\/span><\/p>\n<p><span style=\"font-weight: 400;\">2017 \u201cAt the Source (Code): Obscenity and Modularity in Rokudenashiko\u2019s Media Activism,\u201d in\u00a0<\/span><em><span style=\"font-weight: 400;\">Media Theory in Japan<\/span><\/em><span style=\"font-weight: 400;\">, eds. Marc Steinberg and Alex Zahlten (Durham: Duke UP, 2017), 250-281. <\/span><a href=\"https:\/\/www.dukeupress.edu\/media-theory-in-japan\"><span style=\"font-weight: 400;\">Link<\/span><\/a><span style=\"font-weight: 400;\"> to book. Reprinted in\u00a0<\/span><em><span style=\"font-weight: 400;\">Field: A Journal of Socially Engaged Art Criticism<\/span><\/em><span style=\"font-weight: 400;\">\u00a0(UC San Diego), December 2017. <\/span><a href=\"http:\/\/field-journal.com\/issue-8\/at-the-source-code-obscenity-and-modularity-in-rokudenashikos-media-activism\"><span style=\"font-weight: 400;\">Link<\/span><\/a><span style=\"font-weight: 400;\"> to article. \u00a0\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">2015 \u201cFuture-oriented Blackness in Sh\u014dwa Robot Culture\u20141924 to 1963,\u201d in\u00a0<\/span><em><span style=\"font-weight: 400;\">Traveling Texts and the Work of Afro-Japanese Cultural Production: Two Haiku and a Microphone<\/span><\/em><span style=\"font-weight: 400;\">,\u00a0eds. Will Bridges and Nina Cornyetz (Lanham: Lexington Books, June 2015), 141-165. <\/span><a href=\"https:\/\/rowman.com\/ISBN\/9781498505475\/Traveling-Texts-and-the-Work-of-Afro-Japanese-Cultural-Production-Two-Haiku-and-a-Microphone\"><span style=\"font-weight: 400;\">Link<\/span><\/a><span style=\"font-weight: 400;\"> to book.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">2010 \u201cFrench-ness and Transformations in Subculture in Japan, 1972-2004,\u201d in\u00a0<\/span><em><span style=\"font-weight: 400;\">Mechademia 5: An Annual Forum for Anime, Manga and the Fan Arts<\/span><\/em><span style=\"font-weight: 400;\"><em>\u00a0<\/em>(Minneapolis: University of Minnesota Press, 2010), 118-137. <\/span><a href=\"https:\/\/muse.jhu.edu\/issue\/21510\"><span style=\"font-weight: 400;\">Link<\/span><\/a><span style=\"font-weight: 400;\"> to issue.\u00a0<\/span><\/p>\n<p><b>JOURNAL ARTICLES (Selected)<\/b><\/p>\n<p><span style=\"font-weight: 400;\">2021<\/span> <span style=\"font-weight: 400;\">\u201cDoing Violence to Buraku History: J. Mark Ramseyer\u2019s Dangerous Inventions,\u201d co-written by Anne McKnight, David Ambaras, Ian Neary, and Maren Ehlers, in <\/span><em><span style=\"font-weight: 400;\">Asia Pacific Journal \/ Japan Focus<\/span><\/em><span style=\"font-weight: 400;\">, May 1, 2021. v. 19:9, no. 9. <\/span><a href=\"https:\/\/apjjf.org\/authors\/view\/15175\"><span style=\"font-weight: 400;\">Link<\/span><\/a><span style=\"font-weight: 400;\"> to article.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">2012 <\/span> <span style=\"font-weight: 400;\">\u201cThe Wages of Affluence: The High-Rise Housewife in Japanese Sex Films,\u201d <\/span><span style=\"font-weight: 400;\">in\u00a0<\/span><em><span style=\"font-weight: 400;\">Camera Obscura: Feminism, Culture and Media Studies<\/span><\/em><span style=\"font-weight: 400;\">\u00a027:1 (Durham: Duke University Press, 2012), 1-29.\u00a0Winner of the\u00a0Katherine Singer Kov\u00e1cs Essay Award, Honorable Mention for best academic essay on film published in 2012. <\/span><span style=\"font-weight: 400;\">Link<\/span><span style=\"font-weight: 400;\"> to article.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">2008 <\/span> <span style=\"font-weight: 400;\">\u201cImperial Syntax: Nakagami Kenji\u2019s \u2018Monogatari\u2019 and Modern Japanese Literature as Ethnography,\u201d in\u00a0<\/span><em><span style=\"font-weight: 400;\">Discourse: Berkeley Journal for Theoretical Studies in Media and<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">Culture<\/span><\/em><span style=\"font-weight: 400;\">\u00a028:1 (Winter 2008), 142-165. <\/span><a href=\"https:\/\/digitalcommons.wayne.edu\/discourse\/vol28\/iss1\/\"><span style=\"font-weight: 400;\">Link<\/span><\/a><span style=\"font-weight: 400;\"> to issue and PDF.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">2007 <\/span> <span style=\"font-weight: 400;\">\u201cPrincesses and Revolution: The European Interfaces to Japanese Subculture, from the \u2018Seventies to the Millennium,\u201d in\u00a0<\/span><em><span style=\"font-weight: 400;\">Minikomi 75, bulletin of the Akademischer Arbeitskreis Japan<\/span><\/em><span style=\"font-weight: 400;\">\u00a0(Academic Austrian-Japanese Society), Institute for Japanese Studies, University of Vienna, Austria, 28-38. <\/span><a href=\"https:\/\/journals.univie.ac.at\/index.php\/aaj\/issue\/view\/225\"><span style=\"font-weight: 400;\">Link<\/span><\/a><span style=\"font-weight: 400;\"> to issue.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">2005 <\/span> <span style=\"font-weight: 400;\">\u201cSafety Last: Risk, Inter-Activity and Video Activism in Contemporary Tokyo,\u201d in<em>\u00a0<\/em><\/span><em><span style=\"font-weight: 400;\">New Cinemas<\/span><\/em><span style=\"font-weight: 400;\">\u00a03.3 (Fall 2005), 169-185. <\/span><a href=\"https:\/\/intellectdiscover.com\/content\/journals\/10.1386\/ncin.3.3.169\/1\"><span style=\"font-weight: 400;\">Link<\/span><\/a><span style=\"font-weight: 400;\"> to article.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">2005 <\/span> <span style=\"font-weight: 400;\">\u201cGoodbye Kitty, Hello War: The Tactics of Spectacle and New Youth Movements in Urban Japan.\u201d Co-written with Sharon Hayashi, in<em>\u00a0<\/em><\/span><em><span style=\"font-weight: 400;\">positions: east asia cultures <\/span><span style=\"font-weight: 400;\">critique<\/span><\/em><span style=\"font-weight: 400;\">\u00a013.1 (2005), 87-113. <\/span><span style=\"font-weight: 400;\">Link<\/span><span style=\"font-weight: 400;\"> to Article.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">2005 <\/span> <span style=\"font-weight: 400;\">\u201cGoodbye Kitty, Hello War: The Tactics of Spectacle and New Youth Movements in Urban Japan.\u201d On-line component for\u00a0Critical World,\u00a0Department of Anthropology, Universit\u00e9 de Montr\u00e9al, launched September 23, 2005.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">1999 <\/span> <span style=\"font-weight: 400;\">\u201cCrypticism, or Nakagami Kenji&#8217;s Transplanted Faulkner: Plants, Saga and Sabetsu,\u201d Written in Japanese as \u300eCrypticism\u307e\u305f\u306f\u4ea1\u970a\u306e\u8aad\u307f\u76f4\u3057\u3068\u4e2d\u4e0a\u306e\u30d5\u30a9\u30fc\u30af\u30ca\u30fc\u300fin Faulkner Journal of Japan 1 (Kyoto: William Faulkner Society of Japan, 1999), 46-56. <\/span><a href=\"https:\/\/www.faulknerjapan.com\/journal\/No1\/anne.htm\"><span style=\"font-weight: 400;\">Link<\/span><\/a><span style=\"font-weight: 400;\"> to article.\u00a0<\/span><\/p>\n<p><b>EDITED and TRANSLATED VOLUMES<\/b><\/p>\n<p><span style=\"font-weight: 400;\">2018\u00a0<\/span> <span style=\"font-weight: 400;\">Introduction\u00a0to special dossier on fiction-writer Tsushima Y\u016bko, \u201cMemento libri: New Writings and Translations from the World of Tsushima Y\u016bko (1947~2016),\u201d\u00a0in <\/span><em><span style=\"font-weight: 400;\">Japan Focus: The Asia-Pacific Journal<\/span><\/em><span style=\"font-weight: 400;\"><em>.<\/em> Co-edited with Michael Bourdaghs. Collection of translations and critical writings on fiction-writer Tsushima Y\u016bko. <\/span><a href=\"https:\/\/apjjf.org\/2018\/12\/mcknight\"><span style=\"font-weight: 400;\">Link<\/span><\/a><span style=\"font-weight: 400;\"> to dossier.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">2017\u00a0<\/span> <em><span style=\"font-weight: 400;\">The Pattern Book\u2014Re-visioning Silk through Amami\u00a0\u014cshima<\/span><\/em><span style=\"font-weight: 400;\">\u00a0[\u5944\u7f8e\u5927\u5cf6\u3092\u901a\u3057\u3066\u89b3\u305f\u7d79\u306e\u518d\u8003] , coedited with Lisa Onaga (Max Planck Institute for the History of Science, Berlin), funded by Biomaterial Matters project, Nanyang Technical University. <\/span><a href=\"https:\/\/dr.ntu.edu.sg\/bitstream\/10356\/146378\/2\/Revisioning%20silk%20through%20Amami%20Oshima.pdf\"><span style=\"font-weight: 400;\">Link<\/span><\/a><span style=\"font-weight: 400;\"> to PDF of entire book on line.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">2013 <\/span> <span style=\"font-weight: 400;\">Editor and publisher, Yoshiya Nobuko, \u201cYellow Rose,\u201d introduction and translation by Sarah Frederick (Glendale, CA: Expanded Editions Press, 2013).\u00a0<\/span><a href=\"https:\/\/www.amazon.com\/Yellow-Rose-Yoshiya-Nobuko-ebook\/dp\/B01G33XY1O\"><span style=\"font-weight: 400;\">Link<\/span><\/a><span style=\"font-weight: 400;\"> here.\u00a0<\/span><\/p>\n<div class=\"page\" title=\"Page 2\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<div class=\"\">\n<div class=\"page\" title=\"Page 3\">\n<div class=\"layoutArea\">\n<div class=\"column\"><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div><\/section><br \/>\n<div  class='avia-button-wrap av-2wabz5-57ced96182a78daae837e3d82223107a-wrap avia-button-left  avia-builder-el-6  el_after_av_textblock  avia-builder-el-last '><a href='https:\/\/complitlang.ucr.edu\/people\/faculty\/'  class='avia-button av-2wabz5-57ced96182a78daae837e3d82223107a avia-icon_select-yes-left-icon avia-size-medium avia-position-left avia-color-theme-color'  ><span class='avia_button_icon avia_button_icon_left' aria-hidden='true' data-av_icon='\ue88c' data-av_iconfont='entypo-fontello'><\/span><span class='avia_iconbox_title' >Back to Faculty<\/span><\/a><\/div><\/p><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":1769,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-3677","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/complitlang.ucr.edu\/wp-json\/wp\/v2\/pages\/3677","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/complitlang.ucr.edu\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/complitlang.ucr.edu\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/complitlang.ucr.edu\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/complitlang.ucr.edu\/wp-json\/wp\/v2\/comments?post=3677"}],"version-history":[{"count":16,"href":"https:\/\/complitlang.ucr.edu\/wp-json\/wp\/v2\/pages\/3677\/revisions"}],"predecessor-version":[{"id":5721,"href":"https:\/\/complitlang.ucr.edu\/wp-json\/wp\/v2\/pages\/3677\/revisions\/5721"}],"up":[{"embeddable":true,"href":"https:\/\/complitlang.ucr.edu\/wp-json\/wp\/v2\/pages\/1769"}],"wp:attachment":[{"href":"https:\/\/complitlang.ucr.edu\/wp-json\/wp\/v2\/media?parent=3677"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}