{"id":1934,"date":"2017-09-27T17:08:28","date_gmt":"2017-09-28T00:08:28","guid":{"rendered":"https:\/\/complitlang.ucr.edu\/?page_id=1934"},"modified":"2026-02-02T15:48:44","modified_gmt":"2026-02-02T23:48:44","slug":"dissertations","status":"publish","type":"page","link":"https:\/\/complitlang.ucr.edu\/graduate-program\/dissertations\/","title":{"rendered":"Dissertations"},"content":{"rendered":"\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-ahmv2m-fa159c514916e6556fce504663a8fa6e\">\n#top .flex_column.av-ahmv2m-fa159c514916e6556fce504663a8fa6e{\nmargin-top:0px;\nmargin-bottom:20px;\n}\n.flex_column.av-ahmv2m-fa159c514916e6556fce504663a8fa6e{\nborder-radius:0px 0px 0px 0px;\npadding:0px 0px 0px 0px;\n}\n.responsive #top #wrap_all .flex_column.av-ahmv2m-fa159c514916e6556fce504663a8fa6e{\nmargin-top:0px;\nmargin-bottom:20px;\n}\n<\/style>\n<div  class='flex_column av-ahmv2m-fa159c514916e6556fce504663a8fa6e av_one_full  avia-builder-el-0  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alt='' title='jeremy-bishop-262161'  height=\"430\" width=\"1500\"  itemprop=\"thumbnailUrl\"  \/><\/div><\/div><\/div><\/div>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-6x1g4e-e43847034f035d566f59d53b2ebaa5ac\">\n#top .flex_column.av-6x1g4e-e43847034f035d566f59d53b2ebaa5ac{\nmargin-top:15px;\nmargin-bottom:15px;\n}\n.flex_column.av-6x1g4e-e43847034f035d566f59d53b2ebaa5ac{\nborder-radius:0px 0px 0px 0px;\npadding:0px 0px 0px 0px;\n}\n.responsive #top #wrap_all .flex_column.av-6x1g4e-e43847034f035d566f59d53b2ebaa5ac{\nmargin-top:15px;\nmargin-bottom:15px;\n}\n<\/style>\n<div  class='flex_column av-6x1g4e-e43847034f035d566f59d53b2ebaa5ac av_one_full  avia-builder-el-2  el_after_av_one_full  el_before_av_one_full  first flex_column_div av-zero-column-padding  column-top-margin'     ><style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-5sp466-9ca8acbf4a312b22c9e2c3549cb6bb72\">\n#top .av-special-heading.av-5sp466-9ca8acbf4a312b22c9e2c3549cb6bb72{\npadding-bottom:10px;\n}\nbody .av-special-heading.av-5sp466-9ca8acbf4a312b22c9e2c3549cb6bb72 .av-special-heading-tag .heading-char{\nfont-size:25px;\n}\n.av-special-heading.av-5sp466-9ca8acbf4a312b22c9e2c3549cb6bb72 .av-subheading{\nfont-size:15px;\n}\n<\/style>\n<div  class='av-special-heading av-5sp466-9ca8acbf4a312b22c9e2c3549cb6bb72 av-special-heading-h2  avia-builder-el-3  avia-builder-el-no-sibling '><h2 class='av-special-heading-tag'  itemprop=\"headline\"  >Dissertations<\/h2><div class=\"special-heading-border\"><div class=\"special-heading-inner-border\"><\/div><\/div><\/div><\/div>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-3kqtce-9ffefa7afcc528f3f499730236350aa5\">\n#top .flex_column.av-3kqtce-9ffefa7afcc528f3f499730236350aa5{\nmargin-top:5px;\nmargin-bottom:5px;\n}\n.flex_column.av-3kqtce-9ffefa7afcc528f3f499730236350aa5{\nborder-radius:0px 0px 0px 0px;\npadding:0px 20px 0px 20px;\n}\n.responsive #top #wrap_all .flex_column.av-3kqtce-9ffefa7afcc528f3f499730236350aa5{\nmargin-top:5px;\nmargin-bottom:5px;\n}\n<\/style>\n<div  class='flex_column av-3kqtce-9ffefa7afcc528f3f499730236350aa5 av_one_full  avia-builder-el-4  el_after_av_one_full  avia-builder-el-last  first flex_column_div  column-top-margin'     ><style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-2taqcu-ee3b2786759239a4e0c13df24e3f0769\">\n#top .av_textblock_section.av-2taqcu-ee3b2786759239a4e0c13df24e3f0769 .avia_textblock{\nfont-size:15px;\n}\n<\/style>\n<section  class='av_textblock_section av-2taqcu-ee3b2786759239a4e0c13df24e3f0769 '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><h3>2025<\/h3>\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\"><span data-sheets-root=\"1\"><a href=\"https:\/\/escholarship.org\/uc\/item\/3gf3p946\">Reading Wang Xiaobo Through Italo Calvino\u2019s Literary Values<\/a> <\/span>\/ Kejian Li<\/span><\/li>\n<\/ul>\n<h3>2024<\/h3>\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\"><a href=\"https:\/\/escholarship.org\/uc\/item\/0tc2689j\"><span data-sheets-root=\"1\">Digital Poetics and Languages of Refusal: Enunciation, Narration, and the Technomediated Question of Palestine <\/span><\/a>\/ <a href=\"https:\/\/ppfp.ucop.edu\/info\/fellowship-recipients\/fellows-pages\/sharif-rana-a.html\">Rana Sharif<\/a><\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><a href=\"https:\/\/escholarship.org\/uc\/item\/5dh5r82h\">World Vampires and World Literature<\/a> \/ <a href=\"https:\/\/profiles.ucr.edu\/app\/home\/profile\/vsirb001?_gl=1*9s9czw*_ga*ODQyNzM3MTMxLjE3MzA5NDIwMDE.*_ga_S8BZQKWST2*czE3NTk2ODYwMzkkbzQwMSRnMSR0MTc1OTY4NjIxMiRqNTIkbDAkaDA.*_ga_Z1RGSBHBF7*czE3NTk2ODYwMzkkbzQwMCRnMSR0MTc1OTY4NjIxMyRqNTEkbDAkaDA.\">Vlad Sirbu<\/a><\/li>\n<li aria-level=\"1\"><span data-sheets-root=\"1\"><a href=\"https:\/\/escholarship.org\/uc\/item\/4q62b081\">The Model Translator in Kal\u012blah and Dimnah: A Study of the Arabic and Castilian Translator-Authors<\/a> <\/span>\/ <a href=\"https:\/\/profiles.ucr.edu\/app\/home\/profile\/cplet001?_gl=1*s2f60m*_ga*ODQyNzM3MTMxLjE3MzA5NDIwMDE.*_ga_S8BZQKWST2*czE3NTk2ODYwMzkkbzQwMSRnMSR0MTc1OTY4NjIwNCRqNjAkbDAkaDA.*_ga_Z1RGSBHBF7*czE3NTk2ODYwMzkkbzQwMCRnMSR0MTc1OTY4NjIwNCRqNjAkbDAkaDA.\">Clare O&#8217;Brien<\/a><\/li>\n<li aria-level=\"1\"><a href=\"https:\/\/escholarship.org\/uc\/item\/59c3d1zq\"><span data-sheets-root=\"1\">Transformative Fictions: Futurities for Trans\/Queerness in Twentieth- and Twenty-First-Century French Works <\/span><\/a>\/ Ashley Merryman<\/li>\n<li aria-level=\"1\"><a href=\"https:\/\/escholarship.org\/uc\/item\/6wf0f8m4\">The Desire Called Uchroia: Time Travel Narratives in Chinese Speculative Fiction<\/a> \/ Yilun Fann<\/li>\n<li aria-level=\"1\">\n<div><a href=\"https:\/\/escholarship.org\/uc\/item\/8j31h2h2\">Ethics Unbound: Traversing Memory, Narratives, and Borders in the Aftermath of the Chongqing Heavy Bombing<\/a> \/ Jamie Liu<\/div>\n<\/li>\n<\/ul>\n<h3>2023<\/h3>\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\"><a href=\"https:\/\/escholarship.org\/uc\/item\/0hk4754v\">The Aesthetics of French Taste: How French Colonial Epistemologies Shapeshift into Class-Oriented Practices in Modern Egypt in the 1826-1950 Period<\/a> \/ <\/span><a href=\"https:\/\/www.cmc.edu\/news\/cmc-welcomes-new-faculty-and-coaches\"><span style=\"font-weight: 400;\">Najah <\/span><\/a><a href=\"https:\/\/www.cmc.edu\/academic\/faculty\/profile\/najah-azzouzi\">Azzouzi<\/a><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\"><a href=\"https:\/\/escholarship.org\/uc\/item\/67b379gj\">Cultural Representations of Youth in 1960s-1970s South Korea<\/a> \/ <\/span><a href=\"https:\/\/www.bard.edu\/academics\/faculty\/details\/?id=5451\"><span style=\"font-weight: 400;\">Soonyoung Lee<\/span><\/a><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\"><a href=\"https:\/\/escholarship.org\/uc\/item\/7ct43018\">States of Revolution Language Beyond the Rhetoric of International Law in Arabic and Francophone Literature<\/a>\/ <a href=\"https:\/\/profiles.ucr.edu\/app\/home\/profile\/lkawa001\">Leen Kawas<\/a><\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\"><a href=\"https:\/\/escholarship.org\/uc\/item\/3d47n2cf\"><span data-sheets-root=\"1\">Poetry as Dreaming, Dreaming as Poetry: The Dialogue Between Dream of the Red Chamber (Hongloumeng \u7d05\u6a13\u5922 Story of the Stone \u77f3\u982d\u8a18) and Middle Tang \u4e2d\u5510 and Late Tang \u665a\u5510 Poetry Focusing on the Poetry of Li He \u674e\u8cc0, Li Shangyin \u674e\u5546\u96b1, and Wen Tingy<\/span><\/a> \/ Kevin Wilson<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\"><a href=\"https:\/\/escholarship.org\/uc\/item\/65d1738v\">Sardigna no est Italia: Resistance as Sardinian Identity<\/a> \/ Cherie Hamilton<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\"><a href=\"https:\/\/escholarship.org\/uc\/item\/0cq438k1\">Assimilating \u2018Comfort Women\u2019: The Appropriation of Korean Sexual Trauma in Korean American Literature<\/a> \/ <a href=\"https:\/\/kr.linkedin.com\/in\/eun-joo-lee-5352421a0\">Eun-joo Lee<\/a>.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\"><a href=\"https:\/\/escholarship.org\/uc\/item\/8h45k82p\">Like a Mask Dancing: Visuospatial Geographies in West African Anglophone Literature<\/a> \/ <a href=\"https:\/\/www.binghamton.edu\/africana\/faculty\/profile.html?id=uinyang\">Utitofon Inyang<\/a>.<\/span><\/li>\n<li><a href=\"https:\/\/profiles.ucr.edu\/app\/home\/profile\/mkame002\">\/ Marzieh Kameli<\/a><\/li>\n<\/ul>\n<h3>2022<\/h3>\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\"><a href=\"https:\/\/escholarship.org\/uc\/item\/19p57673\">Securitize This!: Race, World, and Visuality in the Era of Security<\/a> \/ Jared Gee.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\"><a href=\"https:\/\/escholarship.org\/uc\/item\/2r07t1hp\">The Emergence of the Modern Chinese Narrator: Studies of Lu Xun, Shi Zhecun, Sun Li, and Wang Zengqi<\/a> \/ <\/span><a href=\"http:\/\/ealac.columbia.edu\/tao-peng\/\"><span style=\"font-weight: 400;\">Tao Peng.<\/span><\/a><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\"><a href=\"https:\/\/escholarship.org\/uc\/item\/6xc2m3j6\">An Apologia for Anger with Reference to Early China and Ancient Greece<\/a> \/ <\/span><a href=\"https:\/\/ahc.leeds.ac.uk\/philosophy\/staff\/4796\/dr-alba-curry\"><span style=\"font-weight: 400;\">Alba Curry.<\/span><\/a><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\"><a href=\"https:\/\/escholarship.org\/uc\/item\/2z60z1h5\">Encountering Community: Nationalism, Race, and Humanity in Twenty-First-Century Anglophone Literature<\/a> \/ <\/span><a href=\"https:\/\/techcom.engin.umich.edu\/merryman-walter\/\"><span style=\"font-weight: 400;\">Walter Merryman<\/span><\/a><span style=\"font-weight: 400;\">.<\/span><\/li>\n<\/ul>\n<h3>2020<\/h3>\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\"><a href=\"https:\/\/escholarship.org\/uc\/item\/6c50z8xf\">The Damned of the Anthropocene: Performatively Modeling Energy Aesthetics for a New Structuralism<\/a> \/ <\/span><a href=\"https:\/\/romancestudies.unc.edu\/faculty-member\/sean-matharoo\/\"><span style=\"font-weight: 400;\">Sean Matharoo.<\/span><\/a><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\"><a href=\"https:\/\/escholarship.org\/uc\/item\/9nx7867t\">Becoming-With: Ecological Ethics and the More-Than-Human Worlds of Russian and American Horror<\/a> \/ <a href=\"https:\/\/hcommons.org\/members\/brittanyroberts\/\">Brittany Roberts<\/a>.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\"><a href=\"https:\/\/escholarship.org\/uc\/item\/10m115xg\">Poetic Philosophy in Plato and Zhuangzi<\/a> \/ <\/span><a href=\"https:\/\/www.uvu.edu\/directory\/employee\/?id=V3EybUEvdWVpQkZwWE1rOEZxbXVuUT09\"><span style=\"font-weight: 400;\">Ryan Harte.<\/span><\/a><\/li>\n<\/ul>\n<h3>2019<\/h3>\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\"><a href=\"https:\/\/escholarship.org\/uc\/item\/7w90z0b3\">Justice and Punishment: A Comparative Study of Inherited Responsibility in Ancient Greece and Early China<\/a> \/<\/span><a href=\"https:\/\/sti.sysu.edu.cn\/en\/teacher\/836\"><span style=\"font-weight: 400;\"> Duluo Nie.<\/span><\/a><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\"><a href=\"https:\/\/escholarship.org\/uc\/item\/4qt0j2xf#:~:text=This%20dissertation%20explores%20the%20poetics,the%20writer's%20or%20filmmaker's%20generativity.\">The Liquid Eye: A Deleuzian Poetics of Water in Film<\/a> \/ <a href=\"https:\/\/profiles.ucr.edu\/app\/home\/profile\/ahoug002\">Amy Hough<\/a>.<\/span><\/li>\n<\/ul>\n<h3>2018<\/h3>\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"3\"><span style=\"font-weight: 400;\"><a href=\"https:\/\/escholarship.org\/uc\/item\/7h6281mg\">Vietnamese Sorrow: A Study of Literary Discourse in Popular Music Life<\/a> \/ <a href=\"https:\/\/complitlang.ucr.edu\/people\/faculty\/minh-x-nguyen\/\">Minh Nguyen<\/a>.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"3\"><a href=\"https:\/\/escholarship.org\/uc\/item\/21z4z6nf\">State of Perpetual Emergency: Legally Codified State Violence in Post-Revolutionary Iran and the Contemporary U.S.<\/a> \/ Shabnam Piryaei<\/li>\n<\/ul>\n<h3>2017<\/h3>\n<ul>\n<li><a href=\"https:\/\/escholarship.org\/uc\/item\/84f9t3nc\">Divided: Four States, One Imagination Discourses on National Division and Unification in Korea and Germany<\/a> \/ <a href=\"https:\/\/uni-tuebingen.de\/en\/faculties\/faculty-of-humanities\/departments\/aoi\/koreanistik\/faculty\/geipel-birgit\/\">Birgit Geipel<\/a><\/li>\n<li><a href=\"https:\/\/escholarship.org\/uc\/item\/80k1j16n\">Shades of Sepia: Examining Eurocentrism and Whiteness in Relation to Multiculturalism in Steampunk Iconography, Fandom, and Culture Industry<\/a> \/ <a href=\"https:\/\/jaymeegoh.com\/\">Jaymee Goh Sook Yi<\/a><\/li>\n<li><a href=\"https:\/\/escholarship.org\/uc\/item\/3304f2ks\">Chronotopes and Intertexts: Nation-Making in the Literary Representations of the Philippine Revolution of 1896\/1898<\/a> \/ Gloria Luz Gonzales<\/li>\n<\/ul>\n<h3>2016<\/h3>\n<ul>\n<li><a href=\"https:\/\/escholarship.org\/uc\/item\/5bc3t9r8\">From the Bronx to the Banlieues: The Cross-Cultural Commodification of Hip-Hop<\/a> \/ Susannah Copi<\/li>\n<li><a href=\"https:\/\/escholarship.org\/uc\/item\/8qx4h546\">Visible Invisibility: the Case of Indians in Vietnam<\/a> \/ Chi P. Pham<\/li>\n<\/ul>\n<h3>2015<\/h3>\n<ul>\n<li><a href=\"https:\/\/escholarship.org\/uc\/item\/70c383r7\">Playing Along Infinite Rivers: Alternate Readings of a Malay State<\/a> \/ Syed Husni bin Syed Abu Bakar<\/li>\n<li><a href=\"https:\/\/escholarship.org\/uc\/item\/4h13x81f\">Beyond New Waves: Gender and Sexuality in Sinophone Women&#8217;s Cinema from the 1980s to the 2000s<\/a> \/ Kang Kai<\/li>\n<li><a href=\"https:\/\/escholarship.org\/uc\/item\/3579w43t\">Theory of the Strange Towards the Establishment of the Zhiguai as a Genre<\/a> \/ Mingming Liu<\/li>\n<li><a href=\"https:\/\/escholarship.org\/uc\/item\/1jc4j29c#:~:text=Theses%20and%20Dissertations-,Debt%20Sentences%3A%20The%20Poetics%20and%20Politics%20of%20Credit%20Culture%20in,the%20Inland%20Empire%2C%201930%2DPresent&amp;text=Through%20the%20cultural%20lens%20of,film%2C%20media%2C%20and%20space.\">Debt Sentences: The Poetics and Politics of Credit Culture in India, Italy, and the Inland Empire<\/a> \/ Tanya Rawal<\/li>\n<\/ul>\n<h3>2014<\/h3>\n<ul>\n<li>\u00a0<a href=\"https:\/\/escholarship.org\/uc\/item\/2456g69b#:~:text=Theses%20and%20Dissertations-,A%2FEffective%20Landscapes%3A%20Transnationalism%2C%20Affect%20and%20Feminism,in%20Transnational%20Literature%20and%20Film&amp;text=This%20dissertation%20deals%20with%20affect,I%20call%20a%2Feffective%20landscapes.\">A\/Effective Landscapes: Transnationalism, Affect and Feminism in Transnational Literature and Film<\/a> \/ Carmen Braun<a href=\"http:\/\/ucriverside.academia.edu\/AprilDurham\"><br \/>\n<\/a><\/li>\n<li><a href=\"https:\/\/escholarship.org\/uc\/item\/1xg0c146\">Children of Alchemy: (Un)Covering the Significance of the Hermetic Art in Literary Texts, East and West<\/a> \/ Angela Chung<a href=\"http:\/\/ucriverside.academia.edu\/SueHertzog\" target=\"_blank\" rel=\"noopener\"><br \/>\n<\/a><\/li>\n<li><a href=\"https:\/\/escholarship.org\/uc\/item\/9zm4k3ps\">The Intrusion Story and Lessons from the Fantastic: A Cross-Cultural Study<\/a> \/ Fontaine Lien<\/li>\n<li><a href=\"https:\/\/escholarship.org\/uc\/item\/1g94d1hb\">Uncertain Satire in Modern Chinese Fiction and Drama: 1930-1949\u00a0<\/a>\/\u00a0Xi Tian<\/li>\n<\/ul>\n<h3>2013<\/h3>\n<ul>\n<li><a href=\"https:\/\/escholarship.org\/uc\/item\/19c75445\">\u00a0Collaborative Aesthetics and the Politics of Trans-Subjectivity<\/a> \/\u00a0<a href=\"http:\/\/ucriverside.academia.edu\/AprilDurham\">April Durham<\/a><\/li>\n<li><a href=\"https:\/\/escholarship.org\/uc\/item\/6q9990m9\">Benjamin&#8217;s Bards: Myth, Memory, and <em>Zeitgeist<\/em> in the Making of the Modern Storyteller<\/a> \/ <a href=\"http:\/\/ucriverside.academia.edu\/SueHertzog\" target=\"_blank\" rel=\"noopener\">Sue Hertzog<\/a><\/li>\n<li><a href=\"https:\/\/escholarship.org\/uc\/item\/5f82c15w\">Moments of Realization: Meditations in the Reality of Fiction<\/a> \/ <a href=\"http:\/\/ucriverside.academia.edu\/JonathanLee\" target=\"_blank\" rel=\"noopener\">Jonathan Lee<\/a><\/li>\n<li><a href=\"https:\/\/escholarship.org\/content\/qt1qx9j9t0\/qt1qx9j9t0_noSplash_42d409f0886ef9816d1ea26bac01e6c7.pdf\">&#8220;Always as Though for the First Time&#8221; : Embodiment, Mediation, and Speculation in Contemporary Transnational Narratives<\/a> \/ <a href=\"http:\/\/ucriverside.academia.edu\/ReginaYungLee\">Regina Yung Lee<\/a><\/li>\n<\/ul>\n<h3>2012<\/h3>\n<ul>\n<li><a href=\"https:\/\/escholarship.org\/uc\/item\/6233v4kx\">Transnational Negotiations and the Interplay Between Chinese and Western Detective Fiction at the Turn of the Twentieth Century<\/a>\u00a0\/ <a href=\"http:\/\/ucriverside.academia.edu\/RuijuanWhitneyHao\" target=\"_blank\" rel=\"noopener\">Ruijuan Hao<\/a><\/li>\n<li><a href=\"https:\/\/escholarship.org\/uc\/item\/9s80978x\">North Korean Literature: Margins of Writing Memory, Gender, and Sexuality<\/a> \/ Immanuel Kim<\/li>\n<li><a href=\"https:\/\/escholarship.org\/uc\/item\/45d235rk\">A Quest for Insularity: Thomas Forrest&#8217;s Voyage to New Guinea, and the Moluccas<\/a> \/ Panida Lorlertratna<\/li>\n<li><a href=\"https:\/\/escholarship.org\/uc\/item\/89r2b0jj\">Performing Perversion: Decadence in Twentieth-Century Chinese Literature<\/a>\u00a0\/ <a href=\"http:\/\/uark.academia.edu\/HongjianWang\" target=\"_blank\" rel=\"noopener\">Hongjian Wang<\/a><\/li>\n<\/ul>\n<h3>2011<\/h3>\n<ul>\n<li><a href=\"https:\/\/escholarship.org\/uc\/item\/2x16t1d3\">The Architecture of Homelessness: Space, Marginality, and Exile in Modern French and Japanese Literature<\/a> \/ <a href=\"http:\/\/ucriverside.academia.edu\/JaneCorreia\" target=\"_blank\" rel=\"noopener\">Jane Correia<\/a><\/li>\n<li><a href=\"https:\/\/escholarship.org\/uc\/item\/6vx9g4h0\">Errancies of Desire: Subjectivity, Difference, and Proximity in Transnational Film and Literature<\/a> \/ <a href=\"http:\/\/cuny.academia.edu\/VartanMessier\" target=\"_blank\" rel=\"noopener\">Vartan Messier<\/a><\/li>\n<li><a href=\"https:\/\/escholarship.org\/uc\/item\/8kw9g93r\">Echoing Across the Mediterranean and the Pacific: Cinematic Resonance and Cross-Cultural Adaptation in Contemporary European and East Asian Cinema<\/a> \/ Flannery Wilson<\/li>\n<\/ul>\n<h3>2010<\/h3>\n<ul>\n<li><a href=\"https:\/\/escholarship.org\/uc\/item\/9zz4x47x\">The Motif of Fate in Homeric Epics and Oedipus Tyrannus<\/a> \/ <a href=\"http:\/\/ucriverside.academia.edu\/chunliu\" target=\"_blank\" rel=\"noopener\">Chun Liu<\/a><\/li>\n<\/ul>\n<h3>2009<\/h3>\n<ul>\n<li>The City in Wang Anyi&#8217;s Novels: A Comparative Perspective \/ Ying Li<\/li>\n<li><a href=\"https:\/\/escholarship.org\/uc\/item\/1wm6d7xg\">Dwelling in Dreams: A Comparative Study of Dream of the Red Chamber and Finnegan\u2019s Wake<\/a> \/ Mingming Zhang<\/li>\n<\/ul>\n<h3>2006<\/h3>\n<ul>\n<li>Roddenberry&#8217;s Faith in Star Trek&#8217;s Humanism as an American Apocalyptic Vision of the Future \/ Bernd Janzen<\/li>\n<li>Trauma Erupts: Aesthetic Innovation in Writing and Visualizing the Unspeakable \/ Mark Frederick<\/li>\n<li>Self and Gender: Women, Philosophy, and Poetry in Pre-Imperial and Early Imperial China \/ Jie Chai<\/li>\n<li>Sign &#8211; Image &#8211; Myth The Interrelation of Sign-Systems and the Construction of Meaning \/ Sabine Thuerwaechter<\/li>\n<li>Heroes in Love: A Comparative Study of Jin Yong&#8217;s Novels \/ Jie Li<\/li>\n<\/ul>\n<h3 class=\"section\">2004<\/h3>\n<ul>\n<li>A Poetics of Time in the 24 Hour Text \/ Pamela Kuhlken<\/li>\n<\/ul>\n<h3 class=\"section\">2003<\/h3>\n<ul>\n<li>Postmodern Rootedness : Identity In Twentieth Century Women&#8217;s Fiction And Film \/ Julie Ann Dennis Hlad<\/li>\n<li>All Under Heaven : The Portrayal Of Chinese Women In Pearl S. Buck&#8217;s Writing \/ Ruiqi Ma<\/li>\n<\/ul>\n<h3 class=\"section\">2002<\/h3>\n<ul>\n<li>Disenchanted Journeys \/ Robert Randall Van Cleave<\/li>\n<\/ul>\n<h3>2001<\/h3>\n<ul>\n<li>From The Center To The Circumference : Encyclopedic Topologies In Literature From Dante Through Mode \/ Pekka Johannes Kuusisto<\/li>\n<\/ul>\n<h3>1999<\/h3>\n<ul>\n<li>Chicano Translative Poetics : A Comparative Inquiry \/ Edith Morris-Vasquez<\/li>\n<li>At A Loss For Words : A Prolegomenon Towards One Theory Of The Esoterics Of &#8220;Literature As\/And Philosophy&#8221; \/ Steven Lee Reinhart<\/li>\n<li>Material And Creative Forces In The City : A Comparative Study Of French And American Novels (1839-1936) \/ Isabelle Josiane Schaffner<\/li>\n<li>Role Of Psychological Research In The Interpretation Of Literature \/ Virginia Lyn Unger<\/li>\n<li>The Song Of Solomon : Linguistic Problems And Cultural Considerations \/ Clare Van Loon<\/li>\n<\/ul>\n<h3>1998<\/h3>\n<ul>\n<li>The Aesthetics Of Collaboration : Adaptation And Creation In The Musical And Film Guys And Dolls \/ Jeffrey Winn Combe<\/li>\n<li>Postmodernist Intertextuality : Artistic Clonage, Anthropophagic Pastiche, Or What? \/ Denize Correa Araujo<\/li>\n<li>Saul Among The Prophets : The Thematology Of King Saul \/ Barry Craig Crawford<\/li>\n<li>Gender And The Comic In The Works Of Alessandro Piccolomini \/ Ann Lizbeth Langston<\/li>\n<li>Mulatto In German Literature And Beyond : A Comparative Study Of The Mulatto Character In German, American and Spanish-American literature \/ Christian Meng Mahoney<\/li>\n<\/ul>\n<h3>1997<\/h3>\n<ul>\n<li>Biomythography As Genre : The Narratives Of Women Of Colour \/ Darnetta Elaine Bell<\/li>\n<li>Displacing National Literature : Consequences Of Diaspora For The Monumental Idea Of Egypt In Albert Cossery, Radwa Ashour and Ahdaf Soueif \/ Robert William D&#8217;Alo<\/li>\n<li>Exploring Arab Concepts Of Homosexuality \/ Ramzi M. Salti<\/li>\n<\/ul>\n<h3>1996<\/h3>\n<ul>\n<li>Transformations In Representation : Painting Turns To Writing \/ Kevin Paul Bongiorni<\/li>\n<li>Strange Bedfellows : A Study Of A Famous Misinterpretation Of German Literature \/ Carol Anne Sheehan<\/li>\n<\/ul>\n<h3>1995<\/h3>\n<ul>\n<li>Confluence, Bakhtin, And Alejo Carpentier&#8217;s Contextos In Selena And Anna Karenina \/ Grant Calvin Carner, Sr.<\/li>\n<li>The Breakdown Of Rhetoric In Early Modernism : Franz Kafka And T.S. Eliot \/ Robert Randall Van Cleave<\/li>\n<li>Knowledge Of The Nerves : Argument, Epistemology, And Narrative In Eighteenth-Century Sentimental Literature \/ L. Edwin Knutson<\/li>\n<li>Experience And Knowledge In Eighteenth-Century Literature And Science : Denis Diderot And Benjamin Franklin \/ Cheryl Anne Lambert<\/li>\n<li>Men Dream While Women Struggle : Educational Paradigms In The Bildungsroman \/ Susanne Marshall<\/li>\n<li>Othering In Edmond Jabes And Isaac Bashevis Singer, Or, Creating A New Midrash \/ Chaya Schubert-Yablenski<\/li>\n<\/ul>\n<h3>1994<\/h3>\n<ul>\n<li>&#8220;The Rise And Fall Of Many:&#8221;\u00a0 A Socio-Narratological Analysis Of Women In Luke-Acts \/ James Malcolm Arlandson<\/li>\n<li>Surprise, Coincidence, &#8220;Near Death&#8221; Episode, And Comic Tone : English Tragicomedy In The Seventeenth Century and Chinese Drama in the Yuan (1260-1368) and Ming (1368-1644) Dynasties \/ Tsuo-Wen Chao<\/li>\n<li>The Rhetoric Of Intertextuality And Doubtful Authority : A Comparative Study Of William Faulkner, Houshang Golshiri, and Alain Robbe- Grillet \/ Diana Darab<\/li>\n<li>Tragic Daughters : Women, Contemporary Drama And The Tradition Of Domestic Tragedy \/ Carolina Molina<\/li>\n<li>Romancing Visual Women : From Canon To Console \/ Roberta Sterman Sabbath<\/li>\n<li>The Aesthetic Hero And Fin-De-Si\u00e8cle Critical Fiction \/ Harold Swindall<\/li>\n<li>A Statistical Survey And Evaluation Of The Eighteenth-Century Short-Title Catalog \/ Alain Veylit<\/li>\n<\/ul>\n<h3>1993<\/h3>\n<ul>\n<li>Paul Bowles, The Sadness Of Contact : The Intermediary In The Post-Colonial Situation \/ Robert William D&#8217;Alonzo<\/li>\n<li>Enemies Of The Rational Soul : Confrontations With The World, The Flesh, And The Devil In Selected Works of Science Fiction, Fantasy, and Literature of the Fantastic \/ DawnEllen Jacobs<\/li>\n<\/ul>\n<h3>1992<\/h3>\n<ul>\n<li>A Comparative Study Of Time Presentation In Elizabethan And Yuan- Ming Drama \/ Jingsong Chen<\/li>\n<li>The Marxian Hermeneuties Of Fredric Jameson \/ Christopher Anthony Wise<\/li>\n<\/ul>\n<h3>1991<\/h3>\n<ul>\n<li>Literature&#8217;s Challenge To History : The Trilogies Of Alfred D\u00f6blin And Josephine Herbst \/ Jeanette La Porte<\/li>\n<li>The Criminal In The Nineteenth-Century Novel \/ Margaret Mary Turlo<\/li>\n<\/ul>\n<h3>1990<\/h3>\n<ul>\n<li>Eurydice : The Lost Voice \/ Alida Louise Allison<\/li>\n<li>The Aesthetics Of The Marvelous : Baroque &#8220;Meraviglia&#8221; And Marino&#8217;s Galeria \/ Terri Lee Frongia<\/li>\n<li>Michel Foucault, Alain Robbe-Grillet, Victor Vasarely : Th\u00e9orie Litt\u00e9raire Et Perception Des Textes Et Visuels \/\u00a0 Louise-H\u00e9l\u00e8ne L. Le Ster<\/li>\n<li>Female Protagonists In The Eighteenth-Century Epistolary Novel : A Study Of Richardson, La Roche, and Burney \/ Rose-Marie Northcutt<\/li>\n<\/ul>\n<h3>1989<\/h3>\n<ul>\n<li>The Fantastic In The Works Of Elena Garro : Questioning The Limits Of Reality \/ Susan Spagna. <strong>SPANISH <\/strong><\/li>\n<\/ul>\n<h3>1988<\/h3>\n<ul>\n<li>Carmen Mart\u00edn Gaite Y La Narraci\u00f3n : Teor\u00eda Y Pr\u00e1ctica \/ by Mercedes Jim\u00e9nez Gonz\u00e1lez. (1988) <strong>SPANISH <\/strong><\/li>\n<\/ul>\n<h3>1987<\/h3>\n<ul>\n<li>Gender And Desire In Contemporary Drama : Lillian Hellman, Natalia Ginzburg, Franca Rame And Ntozake Shange \/ Serena Anderlini.<\/li>\n<li>African Views Of The United States In The Works Of Achebe, La Guma, And Ngugi \/ Lisa Hope Iyer.<\/li>\n<li>Poetry And Politics : Spanish American Poets And The Spanish Civil War \/ Ren\u00e9 Francisco Pag\u00e1n<\/li>\n<\/ul>\n<h3>1986<\/h3>\n<ul>\n<li>Au Nom Du P\u00e9re, Le Fils Se Veut Sain D&#8217;esprit : Psychobiographie De Jean Racine \/ Jacques Benzakein.<\/li>\n<li>Tennessee Williams And Greek Culture : (With Special Emphasis On Euripides) \/ Athena Coronis<\/li>\n<li>Vorticist Interart Relations : Wyndham Lewis&#8217; Tarr And Enemy Of The Stars As Literary Equivalents Of Vorticist Art \/ Edward Ross Perez<\/li>\n<\/ul>\n<h3>1985<\/h3>\n<ul>\n<li>Temas Y T\u00e9cnicas Narrativas En La Novela Espa\u00f1ola E Hispanoamericana Contempor\u00e1nea \/ Mar\u00eda Antonia Beltr\u00e1n-Vocal. <strong>SPANISH <\/strong><\/li>\n<\/ul>\n<h3>1984<\/h3>\n<ul>\n<li>The Game Of Poetics : Play In Postmodern Fiction \/ Ruth Ellen Eileen Burke<\/li>\n<li>Becoming A Heroine : A Study Of The Electra Theme \/ Lois Mary Cech<\/li>\n<li>Social And Political Alienation In The Novels Of Gabriel Garc\u00eda M\u00e1rquez \/ Carmen Maldonado Decker<\/li>\n<li>Sociological Approaches And Comparative Literature \/\u00a0 Horst Helmut Hoffmann.<\/li>\n<li>From Existential Angst To Spy Thriller : Italo Calvino And John Barth On Two Paths To Contemporary Modernism \/ Nan Claire Tynberg.<\/li>\n<\/ul>\n<h3>1983<\/h3>\n<ul>\n<li>El Teatro Chileno Desde 1941 Hasta 1981 \/ Rebeca Torres-Rivera. <strong>SPANISH <\/strong><\/li>\n<\/ul>\n<h3>1982<\/h3>\n<ul>\n<li>The Crisis Generation : Marxist Aesthetics In The United States, 1929-1939 \/ Ronald Lee Balestrieri<\/li>\n<li>Holiness In Spenser&#8217;s Faerie Queene, Book I : Its Theological Definition And Implications For The Narrative \/ Debra Jean Brown<\/li>\n<li>Towards A Definition Of, And Critical Approaches To Chicano(A) Literature \/ Evangelina Enr\u00edquez<\/li>\n<li>Samuel Johnson On The &#8220;Mental Anatomy&#8221; Of Man \/ Robert Alan Harris<\/li>\n<li>Le R\u00e9cit It\u00e9ratif Et Flaubert \/ Dani\u00e8le Chatelain Slusser<\/li>\n<li>La Evoluci\u00f3n Del Mito De Orfeo En La Literatura Y La M\u00fasica \/ Rafael S. Vald\u00e9s Cam\u00edn<\/li>\n<\/ul>\n<h3>1977<\/h3>\n<ul>\n<li>Beethoven In Western Literature \/ Donna Ann Beckage<\/li>\n<\/ul>\n<\/div><\/section><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":1711,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-1934","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/complitlang.ucr.edu\/wp-json\/wp\/v2\/pages\/1934","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/complitlang.ucr.edu\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/complitlang.ucr.edu\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/complitlang.ucr.edu\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/complitlang.ucr.edu\/wp-json\/wp\/v2\/comments?post=1934"}],"version-history":[{"count":28,"href":"https:\/\/complitlang.ucr.edu\/wp-json\/wp\/v2\/pages\/1934\/revisions"}],"predecessor-version":[{"id":5707,"href":"https:\/\/complitlang.ucr.edu\/wp-json\/wp\/v2\/pages\/1934\/revisions\/5707"}],"up":[{"embeddable":true,"href":"https:\/\/complitlang.ucr.edu\/wp-json\/wp\/v2\/pages\/1711"}],"wp:attachment":[{"href":"https:\/\/complitlang.ucr.edu\/wp-json\/wp\/v2\/media?parent=1934"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}