{"id":6086,"date":"2024-02-05T09:06:28","date_gmt":"2024-02-05T17:06:28","guid":{"rendered":"https:\/\/arthistory.ucr.edu\/?p=6086"},"modified":"2024-02-05T09:06:49","modified_gmt":"2024-02-05T17:06:49","slug":"desert-distortion-and-elemental-immediacy","status":"publish","type":"post","link":"https:\/\/arthistory.ucr.edu\/desert-distortion-and-elemental-immediacy\/","title":{"rendered":"Desert Distortion and Elemental Immediacy"},"content":{"rendered":"<h1 class=\"em-header-card_title\"><span style=\"color: #993300;\"><strong>Desert Distortion and Elemental Immediacy<\/strong><\/span><\/h1>\n<h4><span style=\"color: #808080;\"><strong>Dr. Celina Osuna<\/strong><\/span><br \/>\n<span style=\"color: #808080;\"><strong>University of Texas, El Paso<\/strong><\/span><\/h4>\n<h4 class=\"em-header-card_title\"><span style=\"color: #808080;\"><strong>Tuesday, February 6, 2024, 4:00-5:00pm<\/strong><\/span><br \/>\n<span style=\"color: #808080;\"><strong>INTS 1154 or via Zoom<br \/>\n<\/strong><\/span><\/h4>\n<p>&nbsp;<\/p>\n<div class=\"em-about_description\">\n<p><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-6087 alignright\" src=\"https:\/\/arthistory.ucr.edu\/wp-content\/uploads\/2024\/02\/DesertDistortion-300x169.jpg\" alt=\"\" width=\"591\" height=\"333\" srcset=\"https:\/\/arthistory.ucr.edu\/wp-content\/uploads\/2024\/02\/DesertDistortion-300x169.jpg 300w, https:\/\/arthistory.ucr.edu\/wp-content\/uploads\/2024\/02\/DesertDistortion-1024x576.jpg 1024w, https:\/\/arthistory.ucr.edu\/wp-content\/uploads\/2024\/02\/DesertDistortion-768x432.jpg 768w, https:\/\/arthistory.ucr.edu\/wp-content\/uploads\/2024\/02\/DesertDistortion-1536x864.jpg 1536w, https:\/\/arthistory.ucr.edu\/wp-content\/uploads\/2024\/02\/DesertDistortion-2048x1152.jpg 2048w\" sizes=\"auto, (max-width: 591px) 100vw, 591px\" \/>Dr. Osuna will discuss desert distortion, a technique rooted in experimentation and play. The theoretical work of desert distortion is to provide an inexhaustive set of lenses for engaging with histories, boundaries, bodies, cultures, and languages that reveal the abundance and value of desert places.<\/p>\n<p>Osuna&#8217;s research offers <i>distortion<\/i> as a generative mode of engaging desert agency to unsettle old understandings of them as alien or static and allow for experiencing dynamic deserts anew. This is an invitation to inhabit the deserts of literature and other cultural productions in order to create new collaborations of thought and practice in times of ecological emergency.<\/p>\n<p>Dr Celina Osuna is an artist and assistant professor of English at the University of Texas at El Paso. Her research examines indigenous and Latinx environmentalisms and aesthetics in desert literature.<\/p>\n<p><strong>Join in person or via Zoom.<\/strong><br \/>\n<a href=\"https:\/\/ucr.zoom.us\/j\/98268998684\">https:\/\/ucr.zoom.us\/j\/98268998684<\/a><\/p>\n<\/div>\n<p><em>Sponsored by the Department of Media and Cultural Studies and the Being Human Initiative at the Center for Ideas and Society.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Desert Distortion and Elemental Immediacy Dr. Celina Osuna University of Texas, El Paso Tuesday, February 6, 2024, 4:00-5:00pm INTS 1154 <a class=\"more-link\" href=\"https:\/\/arthistory.ucr.edu\/desert-distortion-and-elemental-immediacy\/\">Read More &rarr;<\/a><\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[167,103,1],"tags":[],"class_list":["post-6086","post","type-post","status-publish","format-standard","hentry","category-lectures-talks","category-news-and-events","category-uncategorized"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/arthistory.ucr.edu\/wp-json\/wp\/v2\/posts\/6086","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/arthistory.ucr.edu\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/arthistory.ucr.edu\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/arthistory.ucr.edu\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/arthistory.ucr.edu\/wp-json\/wp\/v2\/comments?post=6086"}],"version-history":[{"count":18,"href":"https:\/\/arthistory.ucr.edu\/wp-json\/wp\/v2\/posts\/6086\/revisions"}],"predecessor-version":[{"id":6105,"href":"https:\/\/arthistory.ucr.edu\/wp-json\/wp\/v2\/posts\/6086\/revisions\/6105"}],"wp:attachment":[{"href":"https:\/\/arthistory.ucr.edu\/wp-json\/wp\/v2\/media?parent=6086"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/arthistory.ucr.edu\/wp-json\/wp\/v2\/categories?post=6086"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/arthistory.ucr.edu\/wp-json\/wp\/v2\/tags?post=6086"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}