{"id":5921,"date":"2023-09-20T16:37:52","date_gmt":"2023-09-20T23:37:52","guid":{"rendered":"https:\/\/arthistory.ucr.edu\/?p=5921"},"modified":"2023-09-20T16:41:42","modified_gmt":"2023-09-20T23:41:42","slug":"wai_lecture_series","status":"publish","type":"post","link":"https:\/\/arthistory.ucr.edu\/wai_lecture_series\/","title":{"rendered":"WAI Lecture Series on Renaissance Art & Culture"},"content":{"rendered":"

WAI Lecture Series on Renaissance Art & Culture
\nShanghai Sep 15, 2023 – Sep 20, 2024<\/span><\/strong><\/h1>\n

Jeanette Kohl will present on Friday, June 21, 2024 (see below)<\/span><\/strong><\/h2>\n

Established in 2020, the World Art History Institute (WAI) at Shanghai International Studies University has firmly established itself as a leading research institution closely affiliated with the Comit\u00e9 International d\u2019Histoire de l\u2019Art (CIHA). Its primary mission is to promote World Art Studies in China and foster collaboration within the global network of art history institutions, museums, archives, and libraries. In commemoration of its founding, WAI Shanghai will inaugurate the Distinguished WAI Lecture Series in September 2023.<\/p>\n

The annual program for the 2023-24 academic year will focus on Renaissance art and culture, featuring twelve world-leading scholars who have made significant contributions to various fields of Renaissance studies. These contributions will be presented through a variety of academic activities, including public lectures, roundtable discussions, collaborative workshops, book launch events, translation initiatives, and publication projects. The lecture series will take place in multiple Chinese cities, including Shanghai, Beijing, Hangzhou, and Shenyang.<\/p>\n

Individuals residing outside mainland China are cordially invited to register for virtual participation in the lecture series: https:\/\/forms.gle\/LAj5SkGCuy7Pgu1x9<\/a>
\nRegistered attendees will receive timely email notifications containing Zoom links before each scheduled event.<\/p>\n

When?
\n7.30 to 9.30 pm (incl. reception) UTC+8 Beijing, Shanghai, and Hong Kong, on each scheduled date.
\n12.30 to 2.30 pm UTC+1, London
\n1.30 to 3.30 pm, UTC+2, Berlin
\n7.30 to 9.30 am, UTC-4, New York, Washington D.C.
\n* The above-mentioned times are given in summer daylight saving time (DST). When DST ends, please adjust your time according to your time zone.<\/p>\n

Where? The lecture series will be held on-site at various locations in Shanghai and will also be accessible through live streaming or via Zoom.<\/p>\n

Friday, 15. September 2023
\nFrank Fehrenbach, University of Hamburg
\nEnlivening Eyes in Early Modern European Art [hybrid]\n

Friday, 27 October 2023
\nCaroline van Eck, University of Cambridge
\nGroaning Statues and Weeping Paintings: How to Understand the Attribution of Emotions and Life to Artworks [online]\n

Friday, 15 December 2023
\nMarzia Faietti, Universit\u00e0 di Bologna & Kunsthistorisches Institut in Florenz
\nLeonardo 1473, 1481 circa. La natura e la storia in punta di penna [hybrid]\n

Friday, 26 January 2024
\nJohannes Grave, Friedrich Schiller University of Jena
\nWandering Contemplation. A New Venetian Pictorial Concept and Its Roots in Late Medieval Piety [online]\n

Friday, 23 February 2024
\nUlrich Pfisterer, Ludwig-Maximilians-University and Zentralinstitut f\u00fcr Kunstgeschichte, Munich
\nRaphael\u2019s Gift: Friendship and Painted Art Theory in the Renaissance [hybrid]\n

Friday, 26 April 2024
\nMaryan Ainsworth, The Metropolitan Museum of Art, New York
\nJan van Eyck\u2019s Crucifixion and Last Judgment: Solving a Conundrum [hybrid]\n

Friday, 24 May 2024
\nAlison Wright, University College of London
\nPraised to the Skies: Elevation, Framing and Sacred Space in the Renaissance Pala [hybrid]\n

Friday, 21 June, 2024<\/strong><\/span>
\nJeanette Kohl, University of California, Riverside<\/strong><\/span>
\nA Murder, a Mummy, and a Bust \u2013 Forensics of a Portrait Sculpture [hybrid]<\/strong><\/span><\/p>\n

Friday, 26 July 2024
\nDamian Dombrowski, University of W\u00fcrzburg & Martin von Wagner Museum
\n\u201cIntellligenter amare\u201d: Botticelli\u2019s Saint Augustine [hybrid]\n

Friday, 23 August 2024
\nMaria Loh, Institute for Advanced Study, Princeton
\nTitian\u2019s Touch [online]\n

Friday, 6 September 2024
\nCaspar Pearson, The Warburg Institute, University of London
\nBuilding and Thinking: Leon Battista Alberti on Architecture and Urbanism [hybrid]\n

Friday, 20 September 2024
\nAndreas Beyer, University of Basel
\nDonatello. And What We Know About Him [online or hybrid]\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

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