{"id":5812,"date":"2023-04-20T11:38:30","date_gmt":"2023-04-20T18:38:30","guid":{"rendered":"https:\/\/arthistory.ucr.edu\/?p=5812"},"modified":"2023-04-20T11:43:23","modified_gmt":"2023-04-20T18:43:23","slug":"tete-a-tete-with-a-renaissance-bust","status":"publish","type":"post","link":"https:\/\/arthistory.ucr.edu\/tete-a-tete-with-a-renaissance-bust\/","title":{"rendered":"T\u00eate-\u00e0-t\u00eate with a Renaissance Bust"},"content":{"rendered":"<h2><span style=\"color: #993300;\"><strong>Laura \/ Aura. T\u00eate-\u00e0-t\u00eate with a Renaissance Bust<\/strong><\/span><\/h2>\n<h3><strong><span style=\"color: #000000;\">Lecture by Jeanette Kohl at Freie Universit\u00e4t Berlin, April 25, 2023.<\/span><\/strong><\/h3>\n<div id=\"upload-info\" class=\"style-scope ytd-video-owner-renderer\">\n<div id=\"container\" class=\"style-scope ytd-channel-name\">\n<div id=\"text-container\" class=\"style-scope ytd-channel-name\">\n<p><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-5813 alignleft\" src=\"https:\/\/arthistory.ucr.edu\/wp-content\/uploads\/2023\/04\/Programmero\u0308ffnung-Sose23-300x212.jpg\" alt=\"T\u00eate-\u00e0-t\u00eate with a Renaissance bust\" width=\"575\" height=\"406\" srcset=\"https:\/\/arthistory.ucr.edu\/wp-content\/uploads\/2023\/04\/Programmero\u0308ffnung-Sose23-300x212.jpg 300w, https:\/\/arthistory.ucr.edu\/wp-content\/uploads\/2023\/04\/Programmero\u0308ffnung-Sose23-1024x724.jpg 1024w, https:\/\/arthistory.ucr.edu\/wp-content\/uploads\/2023\/04\/Programmero\u0308ffnung-Sose23-768x543.jpg 768w, https:\/\/arthistory.ucr.edu\/wp-content\/uploads\/2023\/04\/Programmero\u0308ffnung-Sose23-1536x1086.jpg 1536w, https:\/\/arthistory.ucr.edu\/wp-content\/uploads\/2023\/04\/Programmero\u0308ffnung-Sose23-2048x1448.jpg 2048w\" sizes=\"auto, (max-width: 575px) 100vw, 575px\" \/>The lecture is dedicated to an attempt at a &#8220;phenomenology&#8221; of female bust portraits of the Quattrocento. The focus is on the enigmatic bust of an unknown woman by Francesco Laurana in the Viennese Kunstkammer, which is characterized by its unusual polychrome. In the context of a comparative object analysis and against the cultural-historical background of a Petrarchan topic, the question of how this and other female busts &#8216;communicate&#8217; with the viewer and what significance their fragmentary object character has will be pursued. Although not primarily motivated by the art-historical &#8220;passion for identifying&#8221; (Didi-Huberman), the considerations ultimately lead to a proposed new identification.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<div>&nbsp;<\/div>\n<div>Read more (in German) at <a href=\"https:\/\/tinyurl.com\/ydakhk66\">https:\/\/tinyurl.com\/ydakhk66<\/a><\/div>\n<div>&nbsp;<\/div>\n<div>Dr. Kohl&#8217;s presentation will be streamed live via WebEx. To register, email <a href=\"mailto:italzen@zedat.fu-berlin.de\">italzen@zedat.fu-berlin.de<\/a><\/div>\n<div>&nbsp;<\/div>\n<div>&nbsp;<\/div>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Laura \/ Aura. T\u00eate-\u00e0-t\u00eate with a Renaissance Bust Lecture by Jeanette Kohl at Freie Universit\u00e4t Berlin, April 25, 2023. The <a class=\"more-link\" href=\"https:\/\/arthistory.ucr.edu\/tete-a-tete-with-a-renaissance-bust\/\">Read More &rarr;<\/a><\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[103,1],"tags":[],"class_list":["post-5812","post","type-post","status-publish","format-standard","hentry","category-news-and-events","category-uncategorized"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/arthistory.ucr.edu\/wp-json\/wp\/v2\/posts\/5812","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/arthistory.ucr.edu\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/arthistory.ucr.edu\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/arthistory.ucr.edu\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/arthistory.ucr.edu\/wp-json\/wp\/v2\/comments?post=5812"}],"version-history":[{"count":6,"href":"https:\/\/arthistory.ucr.edu\/wp-json\/wp\/v2\/posts\/5812\/revisions"}],"predecessor-version":[{"id":5819,"href":"https:\/\/arthistory.ucr.edu\/wp-json\/wp\/v2\/posts\/5812\/revisions\/5819"}],"wp:attachment":[{"href":"https:\/\/arthistory.ucr.edu\/wp-json\/wp\/v2\/media?parent=5812"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/arthistory.ucr.edu\/wp-json\/wp\/v2\/categories?post=5812"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/arthistory.ucr.edu\/wp-json\/wp\/v2\/tags?post=5812"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}