{"id":5793,"date":"2023-04-04T16:02:34","date_gmt":"2023-04-04T23:02:34","guid":{"rendered":"https:\/\/arthistory.ucr.edu\/?p=5793"},"modified":"2023-04-04T16:10:42","modified_gmt":"2023-04-04T23:10:42","slug":"vision-touch-and-memory-rembrandts-aristotle-with-the-bust-of-homer","status":"publish","type":"post","link":"https:\/\/arthistory.ucr.edu\/vision-touch-and-memory-rembrandts-aristotle-with-the-bust-of-homer\/","title":{"rendered":"Vision, Touch, and Memory. Rembrandt&#8217;s Aristotle with the Bust of Homer."},"content":{"rendered":"<h2><span class=\"book-title\" style=\"color: #993300;\"><strong>Vision, Touch, and Memory. Rembrandt&#8217;s Aristotle with the Bust of Homer.<\/strong> <\/span><\/h2>\n<h3><span style=\"color: #000000;\">Lecture by Jeanette Kohl as part of the exhibition Idols &amp; Rivals at the Kunsthorisches Museum in Vienna.<\/span><\/h3>\n<div id=\"upload-info\" class=\"style-scope ytd-video-owner-renderer\">\n<div id=\"container\" class=\"style-scope ytd-channel-name\">\n<div id=\"text-container\" class=\"style-scope ytd-channel-name\">\n<div id=\"attachment_5796\" style=\"width: 452px\" class=\"wp-caption alignleft\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-5796\" class=\" wp-image-5796\" src=\"https:\/\/arthistory.ucr.edu\/wp-content\/uploads\/2023\/04\/DP319026-285x300.jpg\" alt=\"Rembrandt, Aristotle with a Bust of Homer, 1653\" width=\"442\" height=\"465\" srcset=\"https:\/\/arthistory.ucr.edu\/wp-content\/uploads\/2023\/04\/DP319026-285x300.jpg 285w, https:\/\/arthistory.ucr.edu\/wp-content\/uploads\/2023\/04\/DP319026-973x1024.jpg 973w, https:\/\/arthistory.ucr.edu\/wp-content\/uploads\/2023\/04\/DP319026-768x808.jpg 768w, https:\/\/arthistory.ucr.edu\/wp-content\/uploads\/2023\/04\/DP319026-1459x1536.jpg 1459w, https:\/\/arthistory.ucr.edu\/wp-content\/uploads\/2023\/04\/DP319026-1946x2048.jpg 1946w\" sizes=\"auto, (max-width: 442px) 100vw, 442px\" \/><p id=\"caption-attachment-5796\" class=\"wp-caption-text\">Rembrandt, Aristotle with a Bust of Homer, 1653<\/p><\/div>\n<p>A contextualized interpretation of Rembrandt&#8217;s famous Portrait of Aristotle with the Bust of Homer (Metropolitan Museum of Art, New York), this lecture discusses the importance of sculpture as a key medium of memory. A detailed analysis will show how Rembrandt transformed established thought patterns of competition (among the arts, among artists, with antiquity) and traditional art-historical dichotomies (seeing vs. feeling, materiality vs. intellect, presence vs. impermanence) into a remarkably complex play across genres creating a painted philosophy of touch.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<div>&nbsp;<\/div>\n<div>Read more (in German) at <a href=\"https:\/\/tinyurl.com\/2fhyw3jw\">https:\/\/tinyurl.com\/2fhyw3jw<\/a><\/div>\n<div>&nbsp;<\/div>\n<div>View Dr. Kohl&#8217;s entire presentation at <a href=\"https:\/\/www.youtube.com\/watch?app=desktop&amp;v=FaZPtIEOwX4\">https:\/\/www.youtube.com\/watch?app=desktop&amp;v=FaZPtIEOwX4<\/a><\/div>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Vision, Touch, and Memory. Rembrandt&#8217;s Aristotle with the Bust of Homer. Lecture by Jeanette Kohl as part of the exhibition <a class=\"more-link\" href=\"https:\/\/arthistory.ucr.edu\/vision-touch-and-memory-rembrandts-aristotle-with-the-bust-of-homer\/\">Read More &rarr;<\/a><\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[103,1],"tags":[],"class_list":["post-5793","post","type-post","status-publish","format-standard","hentry","category-news-and-events","category-uncategorized"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/arthistory.ucr.edu\/wp-json\/wp\/v2\/posts\/5793","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/arthistory.ucr.edu\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/arthistory.ucr.edu\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/arthistory.ucr.edu\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/arthistory.ucr.edu\/wp-json\/wp\/v2\/comments?post=5793"}],"version-history":[{"count":11,"href":"https:\/\/arthistory.ucr.edu\/wp-json\/wp\/v2\/posts\/5793\/revisions"}],"predecessor-version":[{"id":5805,"href":"https:\/\/arthistory.ucr.edu\/wp-json\/wp\/v2\/posts\/5793\/revisions\/5805"}],"wp:attachment":[{"href":"https:\/\/arthistory.ucr.edu\/wp-json\/wp\/v2\/media?parent=5793"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/arthistory.ucr.edu\/wp-json\/wp\/v2\/categories?post=5793"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/arthistory.ucr.edu\/wp-json\/wp\/v2\/tags?post=5793"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}