{"id":477,"date":"2015-02-06T09:31:21","date_gmt":"2015-02-06T17:31:21","guid":{"rendered":"https:\/\/arthistory.ucr.edu\/?p=477"},"modified":"2015-10-19T14:32:59","modified_gmt":"2015-10-19T21:32:59","slug":"fama-and-virtus","status":"publish","type":"post","link":"https:\/\/arthistory.ucr.edu\/fama-and-virtus\/","title":{"rendered":"Fama und Virtus: Bartolomeo Colleonis Grabkapelle"},"content":{"rendered":"

<\/i>\"Fama_und_Virtus\"<\/i><\/p>\n

Fama und Virtus: Bartolomeo Colleonis Grabkapelle.
\n<\/a><\/span>2004, Akademie Verlag GmbH<\/span>
\nJeanette Kohl, author<\/a><\/span><\/p>\n

“In sum, this is by far the most useful study of the Colleoni Chapel and the most thorough, insightful study ever done on the iconography of a Lombard Renaissance sculptural monument.\u201d Charles Morscheck in: Journal of the Society of Architectural Historians JSAH, 67\/2, June 2008<\/p>\n

“Die Kunsthistorikerin Jeanette Kohl hat der Grabkapelle Colleonis nun ein wunderbar kluges Buch gewidmet, in dem sie das Denken dieses Soldnerf\u00fchrers im Spannungsfeld von\u00a0fama<\/em>\u00a0und\u00a0virtus<\/em>\u00a0anhand des Bildprogramms erl\u00e4utert.” (\u201cThe art historian Jeanette Kohl has dedicated a wonderfully erudite book on the chapel of Colleoni, in which she unfolds the mercenary\u2019s representational thinking between the poles of fame and virtue through the chapel\u2019s image program.\u201d) Michael Thimann in: S\u00fcddeutsche Zeitung, February 22, 2005<\/p>\n

“Die St\u00e4rke der Arbeit liegt in der ikonographischen Analyse der Fassaden- und Grabmalsskulptur, deren kontextgebundene Bedeutung die Autorin souver\u00e4n und kritisch zur Diskussion stellt.” (\u201cThe book\u2019s strength lies in its icongraphic analysis of the sculptural program on fa\u00e7ade and tomb, whose context and meaning the author discusses both masterfully and with a critical eye.\u201d) Antje Fehrmann in: Journal fur Kunstgeschichte, 2\/2007<\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

Fama und Virtus: Bartolomeo Colleonis Grabkapelle. 2004, Akademie Verlag GmbH Jeanette Kohl, author “In sum, this is by far the Read More →<\/a><\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[6,90],"tags":[35,22,33,16,34],"class_list":["post-477","post","type-post","status-publish","format-standard","hentry","category-faculty-books","category-jeanette-kohl","tag-akademie-verlag","tag-berlin","tag-fama","tag-kohls","tag-virtus"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/arthistory.ucr.edu\/wp-json\/wp\/v2\/posts\/477","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/arthistory.ucr.edu\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/arthistory.ucr.edu\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/arthistory.ucr.edu\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/arthistory.ucr.edu\/wp-json\/wp\/v2\/comments?post=477"}],"version-history":[{"count":15,"href":"https:\/\/arthistory.ucr.edu\/wp-json\/wp\/v2\/posts\/477\/revisions"}],"predecessor-version":[{"id":2147,"href":"https:\/\/arthistory.ucr.edu\/wp-json\/wp\/v2\/posts\/477\/revisions\/2147"}],"wp:attachment":[{"href":"https:\/\/arthistory.ucr.edu\/wp-json\/wp\/v2\/media?parent=477"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/arthistory.ucr.edu\/wp-json\/wp\/v2\/categories?post=477"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/arthistory.ucr.edu\/wp-json\/wp\/v2\/tags?post=477"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}