{"id":463,"date":"2015-02-05T17:00:20","date_gmt":"2015-02-06T01:00:20","guid":{"rendered":"https:\/\/arthistory.ucr.edu\/?p=463"},"modified":"2016-10-17T15:41:22","modified_gmt":"2016-10-17T22:41:22","slug":"paris-as-gameboard-man-rayos-atgets","status":"publish","type":"post","link":"https:\/\/arthistory.ucr.edu\/paris-as-gameboard-man-rayos-atgets\/","title":{"rendered":"Paris As Gameboard: Man Ray&#8217;s Atgets"},"content":{"rendered":"<p class=\"p1\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-464 size-full\" src=\"https:\/\/arthistory.ucr.edu\/wp-content\/uploads\/2015\/02\/Paris-as-Gameboard.jpg\" alt=\"Paris-as-Gameboard\" width=\"228\" height=\"169\" \/><span class=\"book-title\"><a href=\"http:\/\/www.columbia.edu\/cu\/wallach\/publications\/Paris-As-Gameboard.html\" target=\"_blank\">Paris As Gameboard: Man Ray&#8217;s Atgets<br \/>\n<\/a><\/span><span class=\"book-publisher\">2002,\u00a0Ex. cat. New York: The Wallach Gallery<\/span><br \/>\n<span class=\"book-author\" style=\"font-family: gentona-light, Arial, sans-serif; font-size: 1.1em; line-height: 1.5;\"><a title=\"Susan Laxton\" href=\"https:\/\/arthistory.ucr.edu\/faculty\/susan-laxton\/\">Susan Laxton, author<\/a><\/span><\/p>\n<p>Soon after moving to France, Man Ray began collecting the works of his forebear Eugene Atget, whose pictures surveyed Paris in the late 19th and early 20th century. Here, for the first time, these images of the urban landscape are considered through a Surrealist frame collectively, as a peripatetic surrealist text comparable to Andr\u00e9 Breton\u2019s <em>Nadja<\/em> and Louis Aragon\u2019s <em>Paris Peasant<\/em>.<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Paris As Gameboard: Man Ray&#8217;s Atgets 2002,\u00a0Ex. cat. New York: The Wallach Gallery Susan Laxton, author Soon after moving to <a class=\"more-link\" href=\"https:\/\/arthistory.ucr.edu\/paris-as-gameboard-man-rayos-atgets\/\">Read More &rarr;<\/a><\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[6,92],"tags":[46,17,44,45],"class_list":["post-463","post","type-post","status-publish","format-standard","hentry","category-faculty-books","category-susan-laxton","tag-atgets","tag-books","tag-laxton","tag-paris"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/arthistory.ucr.edu\/wp-json\/wp\/v2\/posts\/463","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/arthistory.ucr.edu\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/arthistory.ucr.edu\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/arthistory.ucr.edu\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/arthistory.ucr.edu\/wp-json\/wp\/v2\/comments?post=463"}],"version-history":[{"count":13,"href":"https:\/\/arthistory.ucr.edu\/wp-json\/wp\/v2\/posts\/463\/revisions"}],"predecessor-version":[{"id":2744,"href":"https:\/\/arthistory.ucr.edu\/wp-json\/wp\/v2\/posts\/463\/revisions\/2744"}],"wp:attachment":[{"href":"https:\/\/arthistory.ucr.edu\/wp-json\/wp\/v2\/media?parent=463"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/arthistory.ucr.edu\/wp-json\/wp\/v2\/categories?post=463"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/arthistory.ucr.edu\/wp-json\/wp\/v2\/tags?post=463"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}