{"id":4183,"date":"2015-04-07T15:28:47","date_gmt":"2015-04-07T22:28:47","guid":{"rendered":"https:\/\/arthistory.ucr.edu\/?p=4183"},"modified":"2019-09-06T15:29:50","modified_gmt":"2019-09-06T22:29:50","slug":"4th-annual-graduate-student-conference-on-whose-authority-reassessing-the-malleable-canon-of-visuality","status":"publish","type":"post","link":"https:\/\/arthistory.ucr.edu\/4th-annual-graduate-student-conference-on-whose-authority-reassessing-the-malleable-canon-of-visuality\/","title":{"rendered":"4th Annual Graduate Student Conference: On Whose Authority? (Re)Assessing the Malleable Canon of Visuality"},"content":{"rendered":"<h1>4th Annual Graduate Student Conference: On Whose Authority? (Re)Assessing the Malleable Canon of Visuality<\/h1>\n<div id=\"attachment_1386\" style=\"width: 310px\" class=\"wp-caption alignleft\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-1386\" class=\"size-medium wp-image-1386\" src=\"https:\/\/arthistory.ucr.edu\/wp-content\/uploads\/2015\/04\/WhoseAuthority_Postcard_Front-300x232.jpg\" alt=\"\" width=\"300\" height=\"232\" srcset=\"https:\/\/arthistory.ucr.edu\/wp-content\/uploads\/2015\/04\/WhoseAuthority_Postcard_Front-300x232.jpg 300w, https:\/\/arthistory.ucr.edu\/wp-content\/uploads\/2015\/04\/WhoseAuthority_Postcard_Front.jpg 500w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><p id=\"caption-attachment-1386\" class=\"wp-caption-text\">Minor White, American, 1908-1976, Cemetery, Ponce Puerto Rico, 1973, Gelatin silver print, 14in x 11in, California Museum of Photography, gift of James Haddad (1982 0039 0002) , Reproduced with permission of the Minor White Archive, Princeton University Art Museum (MWA 73-16), \u00a9 Trustees of Princeton University<\/p><\/div>\n<p class=\"p2\">Dr. Rafael Cardoso, Keynote<br \/>\n2014 &#8211; 15 Getty Research Institute Scholar<br \/>\nProfessor, Universidade do Estadodo Rio de Janiero<\/p>\n<p class=\"p2\">Although the term canon implies rigidity, internal and external pressures have often forced canons to be reevaluated and reformed. A look at art and objects a global scale, from past to present, inevitably reveals the complexity as well as the exclusionary equality of canonicity. As such, a canon can be shown to have a malleable nature, one that yields or resists challenges to authority. Because the concept of a canon in relation to visuality permeates a wide variety of disciples, this multidisciplinary conference seeks explore the relationship between canonicity and the arts, in any of its forms, within an expanding global context. <a href=\"https:\/\/artsblock.ucr.edu\/Program\/On-Whose-Authority\" target=\"_blank\" rel=\"noopener\"><span class=\"s1\">Read more<\/span><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>4th Annual Graduate Student Conference: On Whose Authority? (Re)Assessing the Malleable Canon of Visuality Dr. Rafael Cardoso, Keynote 2014 &#8211; <a class=\"more-link\" href=\"https:\/\/arthistory.ucr.edu\/4th-annual-graduate-student-conference-on-whose-authority-reassessing-the-malleable-canon-of-visuality\/\">Read More &rarr;<\/a><\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[103],"tags":[],"class_list":["post-4183","post","type-post","status-publish","format-standard","hentry","category-news-and-events"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/arthistory.ucr.edu\/wp-json\/wp\/v2\/posts\/4183","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/arthistory.ucr.edu\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/arthistory.ucr.edu\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/arthistory.ucr.edu\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/arthistory.ucr.edu\/wp-json\/wp\/v2\/comments?post=4183"}],"version-history":[{"count":1,"href":"https:\/\/arthistory.ucr.edu\/wp-json\/wp\/v2\/posts\/4183\/revisions"}],"predecessor-version":[{"id":4184,"href":"https:\/\/arthistory.ucr.edu\/wp-json\/wp\/v2\/posts\/4183\/revisions\/4184"}],"wp:attachment":[{"href":"https:\/\/arthistory.ucr.edu\/wp-json\/wp\/v2\/media?parent=4183"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/arthistory.ucr.edu\/wp-json\/wp\/v2\/categories?post=4183"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/arthistory.ucr.edu\/wp-json\/wp\/v2\/tags?post=4183"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}