![\"\"](\"https:\/\/arthistory.ucr.edu\/wp-content\/uploads\/2016\/10\/WONG2016Small1500-300x232.jpg\")
THE ART OF HOMELAND AND THE UNITED STATES\n<\/strong><\/p>\n
This symposium examines the idea of homeland in the art and visual culture from the region now called the United States. As a concept, homeland<\/em> plays a vital role in the shaping of individual and collective identity. Most directly, homeland<\/em> can be understood to signify a person or people\u2019s place of origin. The concept is in this way deeply embedded in the specifics of location and lineage. At the same time, the term also connotes a more subjective and contingent set of allegiances, including those of family, community, nation, religion, race, ethnicity, environment, and experience. Through these bonds, identification with a homeland provides one of the main anchors of individual being, group cohesiveness, and social legitimacy. Forging such connections offers people roots, a framework for binding to others and, ultimately, a sense of place in the world. The notion homeland<\/em> is, in this way, a positive cultural force.<\/p>\n At the same time, the idea of homeland has been an abiding source of contention, divisiveness, and violence. Human history is pervaded with trauma and injustice enacted over claims to homelands both actual and metaphorical. In this way, the assertion of a homeland has tested the very possibility of social cohesion and self-determination. In the United States especially, where an array of constituencies struggle\u2014often inequitably\u2014to build for themselves a sense of place and belonging, laying claim to a homeland has become synonymous with struggles over voice, power, and beliefs. This can be seen historically in the US histories of colonization, indigenous removal, African American enslavement, and other longstanding pattern of unofficial and state-sanctioned inequality toward minorities. In our recent moment of globalization, the visibility of the concept has grown, from the post-9\/11 founding of the Department of Homeland Security to the unsettling strains of anti-immigrant sentiment that mar the current presidential contest.<\/p>\n We will explore how the visual arts provide a powerful means to negotiate the problems and possibilities inherent to the notion homeland<\/em>. What roles have visual and material expression played in shaping both dominant and alternative visions of the US as homeland? How have these efforts influenced broader discourses of American identity\u2014or failed to do so? How has the question of homeland influenced the form, content, and purpose of the artistic expression? How might studying evocations of homeland<\/em> in art help us to better understand and historicize the term\u2019s cultural value and impact? Particular attention will be given to the understanding the topic through the prism of dialogue, with the idea that art provides a unique medium for the exchange of ideas across boundaries of identity and experience.<\/p>\n Schedule of Events:<\/strong><\/p>\n 10-10:10 am \u2014 Welcome 11:50-1:10 \u2014 Lunch Break<\/p>\n 1:10-1:50 \u2014 Keynote Presentation: Home\u2014So Different, So Appealing<\/em>, Chon Noriega, University of California, Los Angeles 2:10-2:20 \u2014 Short Break<\/p>\n 2:20-2:50 \u2014 Homeland as Gesture: The Paintings of Maidu Artist Frank Day, <\/em>Mark Minch, Sawyer Fellow, Tufts University\/Assistant Professor, University of California, Riverside 4:10-4:45 \u2014 Moderated discussion with all presenters; audience participation encouraged<\/p>\n 4:50 \u2014 Reception<\/p>\n <\/p>\n For more information, contact arthistory@ucr.edu<\/p>\n","protected":false},"excerpt":{"rendered":"
\n10:10-10:30 \u2014 Framing Remarks, Jason Weems, Associate Professor, University of California, Riverside
\n10:30-11:00 \u2014 Edward Hopper\u2019s Portable Homes, <\/em>Leo Mazow, Curator of American Art, Virginia Museum of Fine Arts
\n11:00-11:30 \u2014 Kara Walker, Imagining Home<\/em>, Rebecca Peabody, Head of Research Projects and Programs, Getty Research Institute
\n11:30-11:50 \u2014 Questions<\/p>\n
\n1:50-2:10 \u2014 Questions<\/p>\n
\n2:50-3:20 \u2014 Somewhere Else, But Here: Visual Ethnography and an American Islamoscape Between Imagination and Image, <\/em>Maryam Kashani, Assistant Professor, University of Illinois, Urbana-Champaign
\n3:20-3:50 \u2014 Smiling Faces Sometimes: The Homeland Portraiture of Tseng Kwong Chi, <\/em>Joshua Takano Chambers-Letson, Assistant Professor, Northwestern University
\n3:50-4:10 \u2014 Questions<\/p>\n