{"id":4120,"date":"2017-04-14T13:39:59","date_gmt":"2017-04-14T20:39:59","guid":{"rendered":"https:\/\/arthistory.ucr.edu\/?p=4120"},"modified":"2019-09-06T13:41:00","modified_gmt":"2019-09-06T20:41:00","slug":"faces-faces-art-and-computerized-evaluation-systems","status":"publish","type":"post","link":"https:\/\/arthistory.ucr.edu\/faces-faces-art-and-computerized-evaluation-systems\/","title":{"rendered":"FACES: Faces, Art, and Computerized Evaluation Systems"},"content":{"rendered":"<p class=\"p2\"><strong><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-2979\" src=\"https:\/\/arthistory.ucr.edu\/wp-content\/uploads\/2017\/04\/Conrad-Rudolph-flyer-Final-232x300.jpg\" alt=\"\" width=\"232\" height=\"300\" srcset=\"https:\/\/arthistory.ucr.edu\/wp-content\/uploads\/2017\/04\/Conrad-Rudolph-flyer-Final-232x300.jpg 232w, https:\/\/arthistory.ucr.edu\/wp-content\/uploads\/2017\/04\/Conrad-Rudolph-flyer-Final-768x994.jpg 768w, https:\/\/arthistory.ucr.edu\/wp-content\/uploads\/2017\/04\/Conrad-Rudolph-flyer-Final-791x1024.jpg 791w, https:\/\/arthistory.ucr.edu\/wp-content\/uploads\/2017\/04\/Conrad-Rudolph-flyer-Final.jpg 1275w\" sizes=\"auto, (max-width: 232px) 100vw, 232px\" \/>FACES: Faces,&nbsp;Art, and Computerized Evaluation Systems<\/strong><\/p>\n<p class=\"p3\">This event is sponsored by the College of Humanities, Arts and Social Sciences<\/p>\n<p class=\"p4\"><strong>Conrad Rudolph<\/strong><\/p>\n<p class=\"p5\"><strong>Thursday, May 18, 2017<\/strong><\/p>\n<p class=\"p5\"><strong>5:10 p.m.<\/strong><\/p>\n<p class=\"p6\"><strong>ARTS 333<\/strong><\/p>\n<p class=\"p7\">In the application of face recognition&nbsp;technology to photographed human faces, a number of difficulties are inherent in a real or perceived alteration of appearance of the face through variations in facial&nbsp;expression, age, angle of pose, and so on. With works of portrait art, not only do all these problems pertain, but these works also have their own additional challenges. Most notably, portrait art does not provide what might be called a photographic&nbsp;likeness but rather one that goes through a process of visual interpretation on the part of the artist. In this lecture, Professor&nbsp;Rudolph will discuss how, after two years of NEH funded research, FACES has demonstrated proof of concept, begun work on the style of the individual&nbsp;artist, and tested the FACES algorithm with a few &#8220;identifications,&#8221; in the process establishing the initial parameters of the application of face recognition&nbsp;technology to works of portrait art while at the same time retaining the human eye as the final arbiter.<\/p>\n<p class=\"p8\">CHASS Distinguished Research Lecturer<\/p>\n<p class=\"p9\"><b>Event is free and&nbsp;<\/b><b>open to the public. <\/b><\/p>\n<p class=\"p9\"><b>Light refreshments will be served <\/b><\/p>\n<p class=\"p9\"><b>in ARTS 333 <\/b><\/p>\n<p class=\"p10\">Conrad Rudolph, Distinguished Professor of Medieval Art History<\/p>\n<p class=\"p10\">Department of the History of Art<\/p>\n<p class=\"p10\">University of California, Riverside<\/p>\n<p class=\"p10\"><a href=\"https:\/\/arthistory.ucr.edu\/wp-content\/uploads\/2017\/04\/Conrad-Rudolph-flyer-Final.pdf\">Download the flyer<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>FACES: Faces,&nbsp;Art, and Computerized Evaluation Systems This event is sponsored by the College of Humanities, Arts and Social Sciences Conrad <a class=\"more-link\" href=\"https:\/\/arthistory.ucr.edu\/faces-faces-art-and-computerized-evaluation-systems\/\">Read More &rarr;<\/a><\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[103],"tags":[],"class_list":["post-4120","post","type-post","status-publish","format-standard","hentry","category-news-and-events"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/arthistory.ucr.edu\/wp-json\/wp\/v2\/posts\/4120","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/arthistory.ucr.edu\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/arthistory.ucr.edu\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/arthistory.ucr.edu\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/arthistory.ucr.edu\/wp-json\/wp\/v2\/comments?post=4120"}],"version-history":[{"count":1,"href":"https:\/\/arthistory.ucr.edu\/wp-json\/wp\/v2\/posts\/4120\/revisions"}],"predecessor-version":[{"id":4121,"href":"https:\/\/arthistory.ucr.edu\/wp-json\/wp\/v2\/posts\/4120\/revisions\/4121"}],"wp:attachment":[{"href":"https:\/\/arthistory.ucr.edu\/wp-json\/wp\/v2\/media?parent=4120"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/arthistory.ucr.edu\/wp-json\/wp\/v2\/categories?post=4120"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/arthistory.ucr.edu\/wp-json\/wp\/v2\/tags?post=4120"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}