{"id":3305,"date":"2018-02-13T12:29:14","date_gmt":"2018-02-13T20:29:14","guid":{"rendered":"https:\/\/arthistory.ucr.edu\/?p=3305"},"modified":"2018-02-13T13:10:45","modified_gmt":"2018-02-13T21:10:45","slug":"making-art-concrete-works-from-argentina-and-brazil-in-the-coleccion-patricia-phelps-de-cisneros","status":"publish","type":"post","link":"https:\/\/arthistory.ucr.edu\/making-art-concrete-works-from-argentina-and-brazil-in-the-coleccion-patricia-phelps-de-cisneros\/","title":{"rendered":"Making Art Concrete: Works from Argentina and Brazil in the Colecci\u00f3n Patricia Phelps de Cisneros"},"content":{"rendered":"<p class=\"product-title\"><span class=\"book-title\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-3306\" src=\"https:\/\/arthistory.ucr.edu\/wp-content\/uploads\/2018\/02\/Unknown-278x300.jpeg\" alt=\"\" width=\"278\" height=\"300\" srcset=\"https:\/\/arthistory.ucr.edu\/wp-content\/uploads\/2018\/02\/Unknown-278x300.jpeg 278w, https:\/\/arthistory.ucr.edu\/wp-content\/uploads\/2018\/02\/Unknown-768x829.jpeg 768w, https:\/\/arthistory.ucr.edu\/wp-content\/uploads\/2018\/02\/Unknown.jpeg 934w\" sizes=\"auto, (max-width: 278px) 100vw, 278px\" \/>Making Art Concrete: Works from Argentina and Brazil in the Colecci\u00f3n Patricia Phelps de Cisneros<\/span><\/p>\n<p class=\"p1\"><span class=\"book-publisher\">2017, Los Angeles: Getty Publications<br \/>\n<\/span><\/p>\n<p class=\"p1\"><a href=\"https:\/\/arthistory.ucr.edu\/faculty\/aleca-le-blanc\/\"><span class=\"book-author\">Pia Gottschaller and Aleca Le Blanc<br \/>\nEdited by Pia Gottschaller, Aleca Le Blanc, Zanna Gilbert, Tom Learner, and Andrew Perchuk<\/span><\/a><\/p>\n<p>In the years after World War II, artists in Argentina and Brazil experimented with geometric abstraction and engaged in lively debates about the role of the artwork in society. Some of these artists used novel synthetic materials, creating objects that offered an alternative to established traditions in painting\u2014proposing that these objects become part of everyday, concrete reality. Combining art historical and scientific analysis, experts from the Getty Conservation Institute and Getty Research Institute are collaborating with the Colecci\u00f3n Patricia Phelps de Cisneros, a world-renowned collection of Latin American art, to research the formal strategies and material decisions of these artists working in the concrete and neo-concrete vein.<\/p>\n<p>Making Art Concrete presents works by Lygia Clark, Willys de Castro, Judith Lauand, Ra\u00fal Lozza, H\u00e9lio Oiticica, and Rhod Rothfuss, among others, with spectacular new photography. The photographs, along with information about the now-invisible processes that determine the appearance of these works, are key to interpreting the artists\u2019 technical choices as well as the objects themselves. Indeed, this volume sheds further light on the social, political, and cultural underpinnings of the artists\u2019 propositions, making a compelling addition to the field of postwar Latin American art.<\/p>\n<p>This volume is published to accompany an exhibition on view at the J. Paul Getty Museum at the Getty Center September 16, 2017 through February 11, 2018. Making Art Concrete is part of Pacific Standard Time: LA\/LA.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Making Art Concrete: Works from Argentina and Brazil in the Colecci\u00f3n Patricia Phelps de Cisneros 2017, Los Angeles: Getty Publications <a class=\"more-link\" href=\"https:\/\/arthistory.ucr.edu\/making-art-concrete-works-from-argentina-and-brazil-in-the-coleccion-patricia-phelps-de-cisneros\/\">Read More &rarr;<\/a><\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[93,6],"tags":[],"class_list":["post-3305","post","type-post","status-publish","format-standard","hentry","category-aleca-le-blanc","category-faculty-books"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/arthistory.ucr.edu\/wp-json\/wp\/v2\/posts\/3305","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/arthistory.ucr.edu\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/arthistory.ucr.edu\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/arthistory.ucr.edu\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/arthistory.ucr.edu\/wp-json\/wp\/v2\/comments?post=3305"}],"version-history":[{"count":2,"href":"https:\/\/arthistory.ucr.edu\/wp-json\/wp\/v2\/posts\/3305\/revisions"}],"predecessor-version":[{"id":3309,"href":"https:\/\/arthistory.ucr.edu\/wp-json\/wp\/v2\/posts\/3305\/revisions\/3309"}],"wp:attachment":[{"href":"https:\/\/arthistory.ucr.edu\/wp-json\/wp\/v2\/media?parent=3305"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/arthistory.ucr.edu\/wp-json\/wp\/v2\/categories?post=3305"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/arthistory.ucr.edu\/wp-json\/wp\/v2\/tags?post=3305"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}