{"id":2040,"date":"2015-08-20T10:13:46","date_gmt":"2015-08-20T17:13:46","guid":{"rendered":"https:\/\/arthistory.ucr.edu\/?page_id=2040"},"modified":"2015-08-24T16:13:40","modified_gmt":"2015-08-24T23:13:40","slug":"eva-wattolok","status":"publish","type":"page","link":"https:\/\/arthistory.ucr.edu\/faculty\/eva-wattolok\/","title":{"rendered":"Eva Wattolik"},"content":{"rendered":"<div class=\"su-row\">\n<div class=\"su-column su-column-size-1-4\"><div class=\"su-column-inner su-u-clearfix su-u-trim\">\n<p><img loading=\"lazy\" decoding=\"async\" class=\" size-full wp-image-2032 alignleft\" src=\"https:\/\/arthistory.ucr.edu\/wp-content\/uploads\/2015\/07\/EvaWattolik.jpg\" alt=\"EvaWattolik\" width=\"400\" height=\"537\" srcset=\"https:\/\/arthistory.ucr.edu\/wp-content\/uploads\/2015\/07\/EvaWattolik.jpg 400w, https:\/\/arthistory.ucr.edu\/wp-content\/uploads\/2015\/07\/EvaWattolik-223x300.jpg 223w\" sizes=\"auto, (max-width: 400px) 100vw, 400px\" \/><\/a><span class=\"faculty-title\">VISITING PROFESSOR<br \/>\n<\/span>Friedrich-Alexander University Erlangen-N\u00fcrnberg<span class=\"faculty-title\"><br \/>\n<\/span><\/p>\n<i class=\"fa fa-home \" ><\/i>\u00a0TB<br \/>\n<i class=\"fa fa-phone \" ><\/i>\u00a0TB<br \/>\n<i class=\"fa fa-envelope \" ><\/i>\u00a0TB<\/p>\n<\/div><\/div>\n<div class=\"su-column su-column-size-3-4\"><div class=\"su-column-inner su-u-clearfix su-u-trim\">\n<div class=\"su-tabs su-tabs-style-default su-tabs-mobile-stack\" data-active=\"1\" data-scroll-offset=\"0\" data-anchor-in-url=\"no\"><div class=\"su-tabs-nav\"><span class=\"\" data-url=\"\" data-target=\"blank\" tabindex=\"0\" role=\"button\"><strong>Teaching<\/strong><\/span><\/div><div class=\"su-tabs-panes\"><div class=\"su-tabs-pane su-u-clearfix su-u-trim\" data-title=\"&lt;strong&gt;Teaching&lt;\/strong&gt;\">\n<p><b>Winter quarter 2015\/16<\/b><\/p>\n<p>I&#8217;ll be teaching: <em>Non-narrative strategies in experimental film and video art<\/em><\/p>\n<p>A great part of experimental film and video art produced since the 1990s refers to the movie\u2019s visual language without telling stories in the conventional sense. What function do such references fulfill then? And in what way can images and soundtracks be structured if not by the principles of cinematic narration? The seminar will introduce central artistic positions and explore a variety of non-narrative strategies in experimental film and video art, such as looping and chance operations.<\/p>\n<\/div><\/div><\/div>\n<\/div><\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":3,"featured_media":0,"parent":13,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":{"ngg_post_thumbnail":0,"footnotes":""},"class_list":["post-2040","page","type-page","status-publish","hentry"],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/arthistory.ucr.edu\/wp-json\/wp\/v2\/pages\/2040","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/arthistory.ucr.edu\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/arthistory.ucr.edu\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/arthistory.ucr.edu\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/arthistory.ucr.edu\/wp-json\/wp\/v2\/comments?post=2040"}],"version-history":[{"count":11,"href":"https:\/\/arthistory.ucr.edu\/wp-json\/wp\/v2\/pages\/2040\/revisions"}],"predecessor-version":[{"id":2059,"href":"https:\/\/arthistory.ucr.edu\/wp-json\/wp\/v2\/pages\/2040\/revisions\/2059"}],"up":[{"embeddable":true,"href":"https:\/\/arthistory.ucr.edu\/wp-json\/wp\/v2\/pages\/13"}],"wp:attachment":[{"href":"https:\/\/arthistory.ucr.edu\/wp-json\/wp\/v2\/media?parent=2040"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}