{"id":17,"date":"2014-11-12T17:45:17","date_gmt":"2014-11-13T01:45:17","guid":{"rendered":"https:\/\/arthistory.ucr.edu\/?page_id=17"},"modified":"2025-10-15T10:38:12","modified_gmt":"2025-10-15T17:38:12","slug":"graduate-students","status":"publish","type":"page","link":"https:\/\/arthistory.ucr.edu\/graduate-students\/","title":{"rendered":"Graduate Students"},"content":{"rendered":"\n<table id=\"tablepress-29\" class=\"tablepress tablepress-id-29\">\n<tbody class=\"row-striping row-hover\">\n<tr class=\"row-1\">\n\t<td class=\"column-1\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/arthistory.ucr.edu\/wp-content\/uploads\/2019\/09\/Lily-Allen.jpg\" alt=\"Lily Allen\" height=\"98\" width=\"98\"  \/><\/td><td class=\"column-2\"><strong>Allen, Lily (Doctoral Candidate) <\/strong><br \/>\n<i class=\"fa fa-envelope\"><\/i> <a href=\"mailto:lily.allen@email.ucr.edu\">lily.allen@email.ucr.edu<\/a><br \/>\n<em>Areas of interest:<\/em> 19th and early twentieth century art of the United States and Europe, particularly Spain and France. Asian American art history. Early history of photography, particularly on the West Coast. My dissertation explores the pan-Pacific social and artistic milieu of Los Angeles in the 1920s and 30s, and the unique modernist painting style that arose from it, through the lives and works of artists Stanton Macdonald Wright, Benji Okubo, Hideo Date, and Mabel Alvarez. <br \/>\n<em>Awards\/Fellowships:<\/em><br \/>\n2024-2025 Gluck VRC Fellowship award<br \/>\n2023-2024: Tyson Pre-doctoral Fellowship, Crystal Bridges Museum of American Art<br \/>\n2023-2024 Center for Ideas and Society Humanities Graduate Student Research Award<br \/>\n2023-2024 UCR Dissertation Year Program Fellowship<br \/>\n2022-2023 Center for Ideas and Society Humanities Graduate Student Research Award<br \/>\n2022-2023 Barbara B. Brink Travel Award<br \/>\n2021-2022 Outstanding Teaching Assistant Award<br \/>\n2019 California Museum of Photography Curatorial Fellowship<br \/>\n<br \/>\n<\/td>\n<\/tr>\n<tr class=\"row-2\">\n\t<td class=\"column-1\"><img decoding=\"async\" src=\"https:\/\/arthistory.ucr.edu\/wp-content\/uploads\/2024\/10\/Allen-1.png\" alt= \"Rebecca Allen\" width=\"98\"  \/><\/td><td class=\"column-2\"><strong>Allen, Rebecca (MA Program)<\/strong><br \/>\n<i class=\"fa fa-envelope\"><\/i> <a href=\"mailto:rebecca.l.allen@email.ucr.edu\">rebecca.l.allen@email.ucr.edu<\/a><br \/>\n<em>Areas of interest:<\/em> Northern European Renaissance and Baroque art, with emphasis on the<br \/>\ntransition from manuscript to print culture in alchemical texts and its impact on alchemical image<br \/>\nprograms.<br \/>\n<em>Awards\/Fellowships:<\/em><br \/>\n2025-2026 Gluck Fellows Program of the Arts, Visual Resources Center Fellowship<br \/>\n2025 Fran\u00e7oise Forster-Hahn Graduate Travel Award<br \/>\n2024-2025 National Endowment for the Humanities, Color Film Emergency Project Fellowship<br \/>\n2024 R.W. and Joyce Whitt Art History Writing Award, California State University, Sacramento<\/td>\n<\/tr>\n<tr class=\"row-3\">\n\t<td class=\"column-1\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/arthistory.ucr.edu\/wp-content\/uploads\/2018\/07\/HC-Arnold-crop.jpg\" alt=\"H.C. Arnold\" width=\"98\" height=\"98\" \/><\/td><td class=\"column-2\"><strong>Arnold, H.C. (Doctoral Candidate)<\/strong><br \/>\n<i class=\"fa fa-envelope\"><\/i> <a href=\"mailto:homer.arnold@email.ucr.edu\">homer.arnold@email.ucr.edu<\/a><br \/>\n<em>Areas of Interest: <\/em>20th Century American Art History with a particular focus on late 20th century curatorial practices and the intersections between visual art and social movements. His dissertation examines how a Los Angeles-based exhibition initiative named \u201cCarp\u201d developed a curatorial response to the social and political shifts in both American culture and art practice from the late 1960s to the early 1980s. His project engages in curatorial studies, regional art history, and social economics.<br \/>\n<em>Awards\/Fellowships: <\/em> <br \/>\n2025 William H. Truettner Fellowship, Smithsonian American Art Museum, (Alternate)<br \/>\n2024 Fran\u00e7oise Forster-Hahn Research Travel Award<br \/>\n2023 HEERF Dissertation Year Fellowship<br \/>\n2021 Fran\u00e7oise Forster-Hahn Research Travel Award<br \/>\n2021 Humanities Graduate Student Research Grant<br \/>\n2020 Dean\u2019s Distinguished Fellowship<br \/>\n2019-2020 Gluck Fellows Program of the Arts Fellowship<br \/>\n2019 Ernest Propes Endowed Graduate Fellowship<br \/>\n2019 Outstanding Teaching Assistant<br \/>\n2018 Dean\u2019s Distinguished Fellowship<\/td>\n<\/tr>\n<tr class=\"row-4\">\n\t<td class=\"column-1\"><\/td><td class=\"column-2\"><strong>Barlow, Nicholas (MA Program)<\/strong><br \/>\n<i class=\"fa fa-envelope\"><\/i> <a href=\"mailto:nicholas.barlow@email.ucr.edu\">nicholas.barlow@email.ucr.edu<\/a><\/td>\n<\/tr>\n<tr class=\"row-5\">\n\t<td class=\"column-1\"><img src=https:\/\/arthistory.ucr.edu\/wp-content\/uploads\/2025\/10\/Carleton.jpg\" alt=\"Elizabeth Carleton\" width=\"98\" height=\"98\" class=\"alignnone size-medium wp-image-5282\" \/><\/td><td class=\"column-2\"><strong>Carleton, Elizabeth (Doctoral Candidate)<\/strong><br \/>\n<i class=\"fa fa-envelope\"><\/i> <a href=\"mailto:elizabeth.carleton@email.ucr.edu\">elizabeth.carleton@email.ucr.edu<\/a><br \/>\n<em>Areas of Interest: <\/em>Print culture of 17th-century Europe<br \/>\n<em>Awards\/Fellowships:<\/em><br \/>\n2025 Research Fellowship at Linda Hall Library<br \/>\n2025 Chateaubriand Fellowship at ENS Paris-Saclay<br \/>\n2025 Herzog Ernst Fellowship at\u00a0Forschungsbibliothek Gotha<br \/>\n2024 Rolf und Ursula Schneider Fellowship at\u00a0Herzog August Bibliothek<br \/>\n2022-2023 Gluck Fellows Program of the Arts Fellowship at UCR Arts<br \/>\n2021-2022 Gluck Fellows Program of the Arts Fellowship at UCR Arts<br \/>\n2021-2022 UC Riverside Chancellor\u2019s Distinguished Fellowship<\/td>\n<\/tr>\n<tr class=\"row-6\">\n\t<td class=\"column-1\"><img src=https:\/\/arthistory.ucr.edu\/wp-content\/uploads\/2025\/10\/Castillo.jpg\" width=\"98\" height=\"98\" class=\"alignnone size-medium wp-image-5282\" \/><\/td><td class=\"column-2\"><strong>Castillo, Erica (MA Program)<\/strong><br \/>\n<i class=\"fa fa-envelope\"><\/i> <a href=\"mailto:erica.c.castillo@email.ucr.edu\">erica.c.castillo@email.ucr.edu <\/a><br \/>\n<em>Areas of Interest: <\/em> Postcolonial theory, Mesoamerican architecture, and material culture in Latinx and Indigenous art<br \/>\n<em>Awards\/Fellowships:<\/em><br \/>\n2025 Gluck Classroom Fellowship\u00a0<br \/>\n2025-2026\u00a0Inaugural Jim and Georgia Steinhart Fellowship in Visual Resource Management<br \/>\n<\/td>\n<\/tr>\n<tr class=\"row-7\">\n\t<td class=\"column-1\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/arthistory.ucr.edu\/wp-content\/uploads\/2022\/10\/Citino-300x300.jpg\" alt=\"Emily Citino\" width=\"98\" height=\"98\" class=\"alignnone size-medium wp-image-5569\" srcset=\"https:\/\/arthistory.ucr.edu\/wp-content\/uploads\/2022\/10\/Citino-300x300.jpg 300w, https:\/\/arthistory.ucr.edu\/wp-content\/uploads\/2022\/10\/Citino-150x150.jpg 150w, https:\/\/arthistory.ucr.edu\/wp-content\/uploads\/2022\/10\/Citino.jpg 732w\" sizes=\"auto, (max-width: 98px) 100vw, 98px\" \/><\/td><td class=\"column-2\"><strong>Citino, Emily (Doctoral Program)<\/strong><br \/>\n<i class=\"fa fa-envelope\"><\/i> <a href=\"mailto:emily.citino@email.ucr.edu\">emily.citino@email.ucr.edu <\/a><br \/>\n<em>Areas of Interest: <\/em>Modern and contemporary Latin American art, performance art and conceptual practices by women artists of the 1960s &amp; 1970s <br \/>\n<em>Awards\/Fellowships:<\/em> <br \/>\n2022 California Museum of Photography Curatorial Fellowship<\/td>\n<\/tr>\n<tr class=\"row-8\">\n\t<td class=\"column-1\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/arthistory.ucr.edu\/wp-content\/uploads\/2021\/10\/Faulk_Sarah-Grace-300x300.jpeg\" alt=\"Sarah Grace Faulk\" width=\"98\" height=\"98\" class=\"alignnone size-medium wp-image-5317\" srcset=\"https:\/\/arthistory.ucr.edu\/wp-content\/uploads\/2021\/10\/Faulk_Sarah-Grace-300x300.jpeg 300w, https:\/\/arthistory.ucr.edu\/wp-content\/uploads\/2021\/10\/Faulk_Sarah-Grace-1024x1024.jpeg 1024w, https:\/\/arthistory.ucr.edu\/wp-content\/uploads\/2021\/10\/Faulk_Sarah-Grace-150x150.jpeg 150w, https:\/\/arthistory.ucr.edu\/wp-content\/uploads\/2021\/10\/Faulk_Sarah-Grace-768x768.jpeg 768w, https:\/\/arthistory.ucr.edu\/wp-content\/uploads\/2021\/10\/Faulk_Sarah-Grace.jpeg 1280w\" sizes=\"auto, (max-width: 98px) 100vw, 98px\" \/><\/td><td class=\"column-2\"><strong>Faulk, Sarah (Doctoral Candidate)<\/strong><br \/>\n<i class=\"fa fa-envelope\"><\/i> <a href=\"mailto:sarah.faulk@email.ucr.edu\">sarah.faulk@email.ucr.edu <\/a><br \/>\n<em>Areas of Interest: <\/em>Performance, Conceptualism, Video art, Intermedia Art, Artist Documentation, and Text-Based Art.<br \/>\n<em>Awards\/Fellowships:<\/em> <br \/>\n2022 Center for Ideas and Society Travel Grant<br \/>\n2022 Gluck Fellowship for the Arts<br \/>\n2021 National Endowment for the Humanities, Color Film Emergency Project Fellow<br \/>\n2020-2021 Chancellor\u2019s Distinguished Fellowship<\/td>\n<\/tr>\n<tr class=\"row-9\">\n\t<td class=\"column-1\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/arthistory.ucr.edu\/wp-content\/uploads\/2024\/10\/Lepe-scaled.jpg\" alt=\"Breana Lepe\" width=\"98\" height=\"98\" class=\"alignnone size-medium wp-image-5317\" \/><\/td><td class=\"column-2\"><strong>Lepe, Breana (MA Program)<\/strong><br \/>\n<i class=\"fa fa-envelope\"><\/i> <a href=\"mailto:breana.lepe@email.ucr.edu\">breana.lepe@email.ucr.edu<\/a><br \/>\n<em>Areas of Interest: <\/em>Modern and Contemporary North American Art.<br \/>\n<em>Awards\/Fellowships: <\/em> <br \/>\n2025 Parks-Riverside Art Museum (RAM) Fellowship<br \/>\n2024\u20132025 Gluck VRC Fellowship contributing to the Color Film Emergency Project<br \/>\n2022\u20132023 Inaugural Archives and Access Fellow at the Carolyn Glasoe Bailey Foundation<br \/>\n<\/td>\n<\/tr>\n<tr class=\"row-10\">\n\t<td class=\"column-1\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/arthistory.ucr.edu\/wp-content\/uploads\/2022\/10\/McNelis-300x300.jpg\" alt=\"\" width=\"98\" height=\"98\" class=\"alignnone size-medium wp-image-5581\" srcset=\"https:\/\/arthistory.ucr.edu\/wp-content\/uploads\/2022\/10\/McNelis-300x300.jpg 300w, https:\/\/arthistory.ucr.edu\/wp-content\/uploads\/2022\/10\/McNelis-1024x1024.jpg 1024w, https:\/\/arthistory.ucr.edu\/wp-content\/uploads\/2022\/10\/McNelis-150x150.jpg 150w, https:\/\/arthistory.ucr.edu\/wp-content\/uploads\/2022\/10\/McNelis-768x769.jpg 768w, https:\/\/arthistory.ucr.edu\/wp-content\/uploads\/2022\/10\/McNelis-1534x1536.jpg 1534w, https:\/\/arthistory.ucr.edu\/wp-content\/uploads\/2022\/10\/McNelis-2045x2048.jpg 2045w\" sizes=\"auto, (max-width: 98px) 100vw, 98px\" \/><\/td><td class=\"column-2\"><strong>McNelis, Ashley (Doctoral Candidate)<\/strong><br \/>\n<i class=\"fa fa-envelope\"><\/i> <a href=\"mailto:ashley.mcnelis@email.ucr.edu\">ashley.mcnelis@email.ucr.edu<\/a><br \/>\n<em>Areas of Interest: <\/em>Photography, performance, video art, dance, feminist theory, labor theory, care<br \/>\n<em>Awards\/Fellowships:<\/em><br \/>\n2024\u20132025\u00a0Campbell Family Endowed Fellowship in the College of Humanities, Arts and Social Sciences\u00a0Graduate Student Dissertation Support Award, UC Riverside<br \/>\n2024\u20132025\u00a0E. Rhodes and Leona B. Carpenter Foundation Fellowship<br \/>\n2024\u20132025\u00a0Nominee, Distinguished Teaching Award, UC Riverside<br \/>\n2024\u20132025 Gluck Fellowship for Adult Programs at UCR ARTS  <br \/>\n2024\u20132025 Jean Rowe Warnke Research Award, Center for Ideas and Society, UC Riverside <br \/>\n2023\u20132024 Barbara B. Brink Graduate Travel Award, Department of the History of Art<br \/>\n2023\u20132024 Center for Ideas and Society Humanities Graduate Student Research Grant<br \/>\n2023\u20132024 Gluck Fellowship for Adult Programs at UCR ARTS<br \/>\n2023 Outstanding Teaching Assistant Award, Department of the History of Art<br \/>\n2023 Departmental Grand In Aid for Curatorial Research, Media &amp; Cultural Studies Department <br \/>\n2022\u20132023 Gluck Fellowship for Adult Programs at UCR ARTS <br \/>\n2021\u20132022 Gluck Fellowship for Adult Programs at UCR ARTS <br \/>\n2020 California Museum of Photography Curatorial Fellowship<br \/>\n<br \/>\n<\/td>\n<\/tr>\n<tr class=\"row-11\">\n\t<td class=\"column-1\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/arthistory.ucr.edu\/wp-content\/uploads\/2025\/10\/Mero.jpg\" alt=\"\" width=\"98\" height=\"98\" class=\"alignnone size-medium wp-image-5581\" \/><\/td><td class=\"column-2\"><strong>Mero, Lindsay (MA Program)<\/strong><br \/>\n<i class=\"fa fa-envelope\"><\/i> <a href=\"mailto:lindsay.mero@email.ucr.edu\">lindsay.mero@email.ucr.edu <\/a><br \/>\n<em>Areas of Interest: <\/em> Indigenous \/ First Nations Australian artwork, fiber arts and craftwork in contemporary art<br \/>\n<em>Awards\/Fellowships:<\/em><br \/>\n2025\u20132026 National Endowment for the Humanities, Color Film Emergency Project Fellowship<br \/>\n<\/td>\n<\/tr>\n<tr class=\"row-12\">\n\t<td class=\"column-1\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/arthistory.ucr.edu\/wp-content\/uploads\/2025\/10\/Pacheco.jpeg\" alt=\"Graciela Pacheco\" width=\"98\" height=\"98\" class=\"alignnone size-medium wp-image-5567\" \/><\/td><td class=\"column-2\"><strong>Pacheco, Graciela (MA Program)<\/strong><br \/>\n<i class=\"fa fa-envelope\"><\/i> <a href=\"graciela.pacheco@email.ucr.edu\">graciela.pacheco@email.ucr.edu<\/a><br \/>\n<em>Areas of interest: <\/em>15th-17th Century Northern European print production and their global circulation, with special interest in cross-cultural exchanges within the visual culture of Post-Columbian Mexico and Edo Japan.<br \/>\n<em>Awards\/Fellowships:<\/em><br \/>\n2025-2026 The Color Film Emergency Project, National Endowment for the Humanities Fellowship, Visual Resource Collection, University of California, Riverside.<br \/>\n2023 Outstanding Art History Major, Department of Art History, University of California, Riverside.<br \/>\n<\/td>\n<\/tr>\n<tr class=\"row-13\">\n\t<td class=\"column-1\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/arthistory.ucr.edu\/wp-content\/uploads\/2025\/10\/Parr-Rosser.jpeg\" alt=\"\" width=\"98\" height=\"98\" class=\"alignnone size-medium wp-image-5581\" \/> <\/td><td class=\"column-2\"><strong>Parr-Rosser, Angelica (Doctoral Program)<\/strong><br \/>\n<i class=\"fa fa-envelope\"><\/i> <a href=\"mailto:angelica.parrrosser@email.ucr.edu\">angelica.parrrosser@email.ucr.edu<\/a><br \/>\n<em>Areas of Interest: <\/em> Islamic art and architecture; Islamic Architecture of South Asia; Indian Ocean studies. Their research examines the pre-modern coral stone mosques of the Maldives and the commercial maritime activities that contributed to the spread of<br \/>\nIslam across the Indian Ocean world.<br \/>\n<em>Awards\/Fellowships:<\/em><br \/>\n2025 Best Graduate Paper - Middle Eastern and Islamic Studies Fund<br \/>\n<\/td>\n<\/tr>\n<tr class=\"row-14\">\n\t<td class=\"column-1\"><\/td><td class=\"column-2\"><strong>Saden, Alexandre (Doctoral Program)<\/strong><br \/>\n<i class=\"fa fa-envelope\"><\/i> <a href=\"mailto:alexandre.saden@email.ucr.edu\">alexandre.saden@email.ucr.edu<\/a><\/td>\n<\/tr>\n<tr class=\"row-15\">\n\t<td class=\"column-1\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/arthistory.ucr.edu\/wp-content\/uploads\/2019\/09\/Sarah-Salisbury.jpg\" width=\"98\" height=\"98\" \/><\/td><td class=\"column-2\"><strong>Salisbury, Sarah (Doctoral Candidate)<\/strong><br \/>\n<i class=\"fa fa-envelope\"><\/i> <a href=\"mailto:sarah.salisbury@email.ucr.edu\">sarah.salisbury@email.ucr.edu<\/a><br \/>\n<em>Areas of Interest: <\/em> Interest:\u00a0Modern and Contemporary\u00a0American art;\u00a0Indigenous North American art, architecture, and\u00a0material culture;\u00a0community-led representation, decolonial\u00a0and ecocritical methods.<br \/>\nDissertation: \u201cMonumental Meetings: Locating Indigenous Monumentality at the Four Corners\u201d<br \/>\n<em>Awards\/Fellowships:<\/em> <br \/>\n2025-2026 American\u00a0Philosophical Society - Phillips Fund Grant for Native American Research<br \/>\n2025\u00a0Gulnar\u00a0Bosch\u00a0Travel Award<br \/>\n2024-2025 Barbara B. Brink Travel Award<br \/>\n2024 Center for Ideas and Society Humanities Graduate Student Research Award<br \/>\n2019-2020 Dean\u2019s Distinguished Fellowship<\/td>\n<\/tr>\n<tr class=\"row-16\">\n\t<td class=\"column-1\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/arthistory.ucr.edu\/wp-content\/uploads\/2024\/10\/Shermock.jpg\" alt=\"Rachel Shermock\" width=\"98\" height=\"98\"\/><\/td><td class=\"column-2\"><strong>Shermock, Rachel (Doctoral Program) <\/strong><br \/>\n<i class=\"fa fa-envelope\"><\/i> <a href=\"mailto:rachel.shermock@email.ucr.edu\">rachel.shermock@email.ucr.edu<\/a><br \/>\n<em>Areas of interest: <\/em> Decorative armor; the body in early modern Italian art; classical reception; history of the book<br \/>\n<em>Awards\/Fellowships:<\/em><br \/>\n2025-2026 Gluck Fellows Program of the Arts Classroom Fellowship<br \/>\n2025 Kress Fellowship - Middlebury Language Schools<br \/>\n2024-2025 Chancellor's Distinguished Fellowship<br \/>\n<\/td>\n<\/tr>\n<tr class=\"row-17\">\n\t<td class=\"column-1\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/arthistory.ucr.edu\/wp-content\/uploads\/2023\/10\/TeagueSquare-300x300.png\" alt=\"Rebecca Teague\" width=\"98\" height=\"98\"\/><\/td><td class=\"column-2\"><strong>Teague, Rebecca (Doctoral Program)<\/strong><br \/>\n<i class=\"fa fa-envelope\"><\/i> <a href=\"mailto:rebecca.teague@email.ucr.edu\">rebecca.teague@email.ucr.edu<\/a><br \/>\n<em>Areas of Interest: <\/em>Early modern Italian sculpture &amp; object cultures; digitization in art history. <br \/>\n<em>Awards\/Fellowships:<\/em><br \/>\n2024-2025 Gluck Fellows Program of the Arts Classroom Fellowship<br \/>\n2023-2024 Gluck Fellows Program of the Arts Classroom Fellowship<br \/>\n2023-2024 Dean's Distinguished Fellowship<\/td>\n<\/tr>\n<tr class=\"row-18\">\n\t<td class=\"column-1\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/arthistory.ucr.edu\/wp-content\/uploads\/2022\/10\/Varga-300x300.jpg\" alt=\"Lexie Varga\" width=\"98\" height=\"98\" class=\"alignnone size-medium wp-image-5567\" srcset=\"https:\/\/arthistory.ucr.edu\/wp-content\/uploads\/2022\/10\/Varga-300x300.jpg 300w, https:\/\/arthistory.ucr.edu\/wp-content\/uploads\/2022\/10\/Varga-1024x1024.jpg 1024w, https:\/\/arthistory.ucr.edu\/wp-content\/uploads\/2022\/10\/Varga-150x150.jpg 150w, https:\/\/arthistory.ucr.edu\/wp-content\/uploads\/2022\/10\/Varga-768x768.jpg 768w, https:\/\/arthistory.ucr.edu\/wp-content\/uploads\/2022\/10\/Varga-1536x1536.jpg 1536w, https:\/\/arthistory.ucr.edu\/wp-content\/uploads\/2022\/10\/Varga-2048x2048.jpg 2048w\" sizes=\"auto, (max-width: 98px) 100vw, 98px\" \/><\/td><td class=\"column-2\"><strong>Varga, Lexie (Doctoral Program)<\/strong><br \/>\n<i class=\"fa fa-envelope\"><\/i> <a href=\"lexie.varga@email.ucr.edu\">lexie.varga@email.ucr.edu<\/a><br \/>\n<em>Areas of interest: <\/em>Violence in avant-garde movements, particularly Dada and Surrealism; late 19th to mid-20th century photography; early pornography.<\/td>\n<\/tr>\n<tr class=\"row-19\">\n\t<td class=\"column-1\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/arthistory.ucr.edu\/wp-content\/uploads\/2025\/10\/Whalen.jpg\" alt=\"Meagan Whalen\" width=\"98\" height=\"98\" class=\"alignnone size-medium wp-image-5567\" \/><\/td><td class=\"column-2\"><strong>Whalen, Meagan(Doctoral Program)<\/strong><br \/>\n<i class=\"fa fa-envelope\"><\/i> <a href=\"mwhal008@ucr.edu\">mwhal008@ucr.edu<\/a><br \/>\n<em>Areas of interest: <\/em>Areas of Interest: American art of the nineteenth century with a special interest in landscape painting. Her current research examines notions of wonder and the Sublime to interpret the landscape at the intersection of identity and ecocriticism.<br \/>\n<em>Awards\/Fellowships:<\/em><br \/>\n2025-2026 Dean\u2019s Distinguished Award Fellowship<br \/>\n2025 Outstanding Graduate Thesis Award<br \/>\n2025 Student Life and Development Graduate Travel Grant<br \/>\n2024-2025 Associated Students Inc. Travel Grant<br \/>\n2020-2021 Humanities Mentoring Research Grant<br \/>\n<br \/>\n<br \/>\n<\/td>\n<\/tr>\n<tr class=\"row-20\">\n\t<td class=\"column-1\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/arthistory.ucr.edu\/wp-content\/uploads\/2025\/10\/Wilson.jpg\" alt=\"Camille Wilson\" width=\"98\" height=\"98\" class=\"alignnone size-medium wp-image-5567\" \/><\/td><td class=\"column-2\"><strong>Wilson, Camille (MA Program)<\/strong><br \/>\n<i class=\"fa fa-envelope\"><\/i> <a href=\"mailto:cwils078@ucr.edu\">cwils078@ucr.edu <\/a><br \/>\n<em>Areas of Interest: <\/em> Modern art made by Black female artists\/African American art of the twentieth century. The portrayal in art of the Black woman in America and how she portrays herself.\u00a0Black female painters. <br \/>\n<\/td>\n<\/tr>\n<tr class=\"row-21\">\n\t<td class=\"column-1\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/arthistory.ucr.edu\/wp-content\/uploads\/2024\/10\/Zhang-scaled.jpg\" alt=\"Xinqian Zhang\" width=\"98\" height=\"98\" class=\"alignnone size-medium wp-image-5567\" \/><\/td><td class=\"column-2\"><strong>Zhang, Xinqian (Doctoral Program)<\/strong><br \/>\n<i class=\"fa fa-envelope\"><\/i> <a href=\"mailto:xinqian.zhang@email.ucr.edu\">xinqian.zhang@email.ucr.edu<\/a><br \/>\n<em>Areas of interest: <\/em>Early modern Chinese porcelain; transregional exchanges and cross-cultural mobility; landscape representations; intermediality.<br \/>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<!-- #tablepress-29 from cache -->\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"ngg_post_thumbnail":0,"footnotes":""},"class_list":["post-17","page","type-page","status-publish","hentry"],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/arthistory.ucr.edu\/wp-json\/wp\/v2\/pages\/17","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/arthistory.ucr.edu\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/arthistory.ucr.edu\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/arthistory.ucr.edu\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/arthistory.ucr.edu\/wp-json\/wp\/v2\/comments?post=17"}],"version-history":[{"count":13,"href":"https:\/\/arthistory.ucr.edu\/wp-json\/wp\/v2\/pages\/17\/revisions"}],"predecessor-version":[{"id":6656,"href":"https:\/\/arthistory.ucr.edu\/wp-json\/wp\/v2\/pages\/17\/revisions\/6656"}],"wp:attachment":[{"href":"https:\/\/arthistory.ucr.edu\/wp-json\/wp\/v2\/media?parent=17"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}