{"id":1513,"date":"2015-04-22T15:39:57","date_gmt":"2015-04-22T22:39:57","guid":{"rendered":"https:\/\/arthistory.ucr.edu\/?page_id=1513"},"modified":"2020-10-05T14:48:01","modified_gmt":"2020-10-05T21:48:01","slug":"francoise-forster-hahn","status":"publish","type":"page","link":"https:\/\/arthistory.ucr.edu\/faculty\/francoise-forster-hahn\/","title":{"rendered":"Fran\u00e7oise Forster-Hahn"},"content":{"rendered":"<div class=\"su-row\">\n<div class=\"su-column su-column-size-1-4\"><div class=\"su-column-inner su-u-clearfix su-u-trim\">\n<p><img loading=\"lazy\" decoding=\"async\" class=\"photoborder wp-image-1514 size-full alignnone\" src=\"https:\/\/arthistory.ucr.edu\/wp-content\/uploads\/2015\/04\/Francoise.jpg\" alt=\"Francoise Foster-Hahn\" width=\"400\" height=\"600\" srcset=\"https:\/\/arthistory.ucr.edu\/wp-content\/uploads\/2015\/04\/Francoise.jpg 400w, https:\/\/arthistory.ucr.edu\/wp-content\/uploads\/2015\/04\/Francoise-200x300.jpg 200w\" sizes=\"auto, (max-width: 400px) 100vw, 400px\" \/><\/p>\n<p><span class=\"faculty-title\">DISTINGUISHED PROFESSOR EMERITA<br \/>\n<\/span>Ph.D., University of Bonn<\/p>\n<i class=\"fa fa-envelope \" ><\/i>&nbsp;<a href=\"mailto:francoise.forster@ucr.edu\" target=\"_blank\" rel=\"noopener noreferrer\">francoise.forster@ucr.edu<\/a><br \/>\n<i class=\"fa fa-file-pdf-o \" ><\/i> <a href=\"https:\/\/arthistory.ucr.edu\/wp-content\/uploads\/2020\/10\/REVISED2020Oct_CV10-5-20-.pdf\">Curriculum Vitae<\/a><\/p>\n<\/div><\/div>\n<div class=\"su-column su-column-size-3-4\"><div class=\"su-column-inner su-u-clearfix su-u-trim\">\n<div class=\"su-tabs su-tabs-style-default su-tabs-mobile-stack\" data-active=\"1\" data-scroll-offset=\"0\" data-anchor-in-url=\"no\"><div class=\"su-tabs-nav\"><span class=\"\" data-url=\"\" data-target=\"blank\" tabindex=\"0\" role=\"button\"><strong>Biography<\/strong><\/span><span class=\"\" data-url=\"\" data-target=\"blank\" tabindex=\"0\" role=\"button\"><strong>Selected Publications<\/strong><\/span><span class=\"\" data-url=\"\" data-target=\"blank\" tabindex=\"0\" role=\"button\"><strong>Books<\/strong><\/span><\/div><div class=\"su-tabs-panes\"><div class=\"su-tabs-pane su-u-clearfix su-u-trim\" data-title=\"&lt;strong&gt;Biography&lt;\/strong&gt;\">\n<p class=\"p1\">My work focuses on art and culture of the 19<sup>th<\/sup> and 20<sup>th<\/sup> centuries, especially on the history and theories of exhibition and museum displays, the role of institutions in the representation of national identity, the cultural transfer between countries, and the work of Adolph Menzel, Max Liebermann, and Max Beckmann, including issues of exile and emigration.<\/p>\n<p class=\"p1\"><strong>Professional Experience and Awards:<br \/>\n<\/strong>Research Associate, Yale University Art Gallery, 1962-67.<br \/>\nFellow, Deutsche Forschungsgemeinschaft, 1966.<br \/>\nChief Curator and Lecturer, Department of Art and University Art Museum, Stanford University, 1968-73.<br \/>\nActing Director, Stanford University Museum of Art, 1971-72.<br \/>\nVisiting Lecturer, Department of Art, UC Berkeley, 1973-74.<br \/>\nProfessor, University of California, Riverside, 1974-2011.<br \/>\nFellow, Alexander von Humboldt Foundation, 1974-75 and 1977.<br \/>\nVisiting Professor, University of Z\u00fcrich, Switzerland, 1977-78.<br \/>\nDirector, UC Education Abroad Program, University of California at Georg-August University, G\u00f6ttingen, Germany, 1982-84.<br \/>\nGuest Professor, Georg-August University, G\u00f6ttingen, Germany, 1983.<br \/>\nChair, Department of History of Art, University of California, Riverside, 1987-92.<br \/>\nAcademic Senate Distinguished Teaching Award, 1994-95.<br \/>\nCollege Art (CAA) Distinguished Teaching Award, 1996.<br \/>\nMember of the Board, Historians of German and Central European Art and Architecture, 1999-2005.<br \/>\nBundesverdienstkreuz Erster Klasse der Bundesrepublik Deutschland, 1999.<br \/>\nPresident of the U.S. National Committee for the History of Art, 2000-2004.<br \/>\nMember of the Board, Comit\u00e9 International d&#8217;Histoire de l&#8217;Art, 2000-2004.<br \/>\nVisiting Scholar, Centre Allemand d&#8217;Histoire de L&#8217;Art, Paris, Spring 2001.<br \/>\nFellow, Clark Art Institute, Williamstown, MA, Fall 2001.<br \/>\nDistinguished Teaching Professor, 2006.<br \/>\nFellow, Alexander von Humboldt Foundation, 2007.<br \/>\nAby-Warburg Guest Professor, Warburg-Haus, University of Hamburg, 2013.<\/p>\n<\/div>\n<div class=\"su-tabs-pane su-u-clearfix su-u-trim\" data-title=\"&lt;strong&gt;Selected Publications&lt;\/strong&gt;\">\n<p><em>Johann Heinrich Ramberg als Karikaturist und Satiriker, <\/em>Hannover, 1963<em>.<\/em><\/p>\n<p><em>French and School of Paris Paintings in the Yale University Art Gallery: A Catalogue Raisonn\u00e9,<\/em> Yale University Press, 1968.<\/p>\n<p><em>Old Master Drawings from the Collection of Kurt Meissner, Zurich, <\/em>Stanford Art Book 10, Stanford University, 1969<\/p>\n<p><em>K\u00e4the Kollwitz, Prints, Drawings, Sculpture. Exhibition Catalogue, <\/em>University of California, Riverside, 1978. Editor and contributing author.<\/p>\n<p><em>Imagining Modern German Culture: 1889-1910, <\/em>National Gallery of Art, Washington, D.C., 1996. Editor and contributing author.<\/p>\n<p><em>Max Beckmann in Kalifornien: Exil, Erinnerung und Erneuerung, <\/em>M\u00fcnchen, Berlin 2007.<\/p>\n<p><em>Max Liebermann and International Modernism,<\/em> New York\/Oxford, 2011.&nbsp;Coeditor with Marion Deshmukh and Barbara Gaehtgens and contributing author.<\/p>\n<p>Numerous articles and contributions to books and exhibition catalogues in the U.S. and abroad on issues of 19th and 20th century art and culture and the role of institutions and exhibition displays in the construction of national and cultural identity.<\/p>\n<p>Currently working on <em>The Invention of the History of Modern Art: The Jahrhundertausstellung in Berlin <\/em>(1906)<em> and Meier-Graefe\u2019s \u201cEntwicklungsgeschichte der modernen Kunst\u201d <\/em>(1904), published in one version as \u201cText and Display: Julius Meier-Graefe, the 1906 White Centennial in Berlin and the Canon of Modern Art,\u201d in: <em>Art History,<\/em> February 2015.<\/p>\n<\/div>\n<div class=\"su-tabs-pane su-u-clearfix su-u-trim\" data-title=\"&lt;strong&gt;Books&lt;\/strong&gt;\">\n\n\n<div class=\"su-posts su-posts-teaser-loop \">\n\n\t\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-5761\" class=\"su-post \">\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/arthistory.ucr.edu\/kathe-kollwitz\/\">K\u00e4the Kollwitz in Los Angeles 1937<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-1541\" class=\"su-post \">\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/arthistory.ucr.edu\/the-robert-lehman-collection-at-the-metropolitan-museum-of-art-volume-ix-nineteenth-and-twentieth-century-european-drawings-robert-lehman-collection-in-the-metropolitan-museum-of-art\/\">Max Liebermann and International Modernism: An Artist&#8217;s Career from Empire to Third Reich<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-1555\" class=\"su-post \">\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/arthistory.ucr.edu\/max-beckmann-in-kalifornien-exil-erinnerung-und-erneuerung\/\">Max Beckmann in Kalifornien: Exil, Erinnerung und Erneuerung<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-1549\" class=\"su-post \">\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/arthistory.ucr.edu\/spirit-of-an-age-nineteenth-century-paintings-from-the-national-galerie-berlin\/\">Spirit of an Age: Nineteenth-Century Paintings From the National Galerie, Berlin<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-1521\" class=\"su-post \">\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/arthistory.ucr.edu\/imagining-modern-german-culture-1889-1910\/\">Imagining Modern German Culture, 1889-1910<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\n\t\t\t<div id=\"su-post-1801\" class=\"su-post \">\n\t\t\t\t\t\t\t\t<h2 class=\"su-post-title\"><a href=\"https:\/\/arthistory.ucr.edu\/old-master-drawings-from-the-collection-of-kurt-meissner-zurich\/\">Old Master Drawings from the Collection of Kurt Meissner, Zurich<\/a><\/h2>\n\t\t\t<\/div>\n\n\t\t\t\n<\/div>\n\n<\/div><\/div><\/div>\n<\/div><\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":3,"featured_media":0,"parent":13,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"ngg_post_thumbnail":0,"footnotes":""},"class_list":["post-1513","page","type-page","status-publish","hentry"],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/arthistory.ucr.edu\/wp-json\/wp\/v2\/pages\/1513","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/arthistory.ucr.edu\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/arthistory.ucr.edu\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/arthistory.ucr.edu\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/arthistory.ucr.edu\/wp-json\/wp\/v2\/comments?post=1513"}],"version-history":[{"count":22,"href":"https:\/\/arthistory.ucr.edu\/wp-json\/wp\/v2\/pages\/1513\/revisions"}],"predecessor-version":[{"id":1700,"href":"https:\/\/arthistory.ucr.edu\/wp-json\/wp\/v2\/pages\/1513\/revisions\/1700"}],"up":[{"embeddable":true,"href":"https:\/\/arthistory.ucr.edu\/wp-json\/wp\/v2\/pages\/13"}],"wp:attachment":[{"href":"https:\/\/arthistory.ucr.edu\/wp-json\/wp\/v2\/media?parent=1513"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}