{"id":57770,"date":"2025-07-20T09:19:39","date_gmt":"2025-07-20T16:19:39","guid":{"rendered":"https:\/\/art.ucr.edu\/?page_id=57770"},"modified":"2025-07-20T09:30:21","modified_gmt":"2025-07-20T16:30:21","slug":"fiona-connor","status":"publish","type":"page","link":"https:\/\/art.ucr.edu\/people\/faculty\/fiona-connor\/","title":{"rendered":"Fiona Connor"},"content":{"rendered":"<section class=\"wpb-content-wrapper\"><p>[vc_row padding_bottom=&#8221;50&#8243;][vc_column width=&#8221;1\/4&#8243;]<div class='q_icon_with_title tiny circle' ><div class=\"icon_holder \" style=\" \"><div class=\"icon_holder_inner\"><span class=\"qode_icon_stack qode_tiny_icon  custom-font\" style=\"font-size: 30px;\"><i class=\"qode_icon_font_awesome fa fa-building icon_text_icon qode_icon_stack_1x\" style=\"font-size: 30px;\" ><\/i><\/span><\/div><\/div><div class=\"icon_text_holder\" style=\"padding-left: 86px;\"><div class=\"icon_title_inner_holder\"><h4 class=\"icon_title \" style=\"\"><\/h4><\/div><div class=\"icon_text_inner\" style=\"\"><p style=''>242 Arts Building<\/p><\/div><\/div><\/div><div class='q_icon_with_title tiny circle' ><div class=\"icon_holder \" style=\" \"><div class=\"icon_holder_inner\"><a class='icon_with_title_link_icon' href='mailto:fionac@ucr.edu' target=''><span class=\"qode_icon_stack qode_tiny_icon  custom-font\" style=\"font-size: 30px;\"><i class=\"qode_icon_font_awesome fa fa-envelope icon_text_icon qode_icon_stack_1x\" style=\"font-size: 30px;\" ><\/i><\/span><\/a><\/div><\/div><div class=\"icon_text_holder\" style=\"padding-left: 86px;\"><div class=\"icon_title_inner_holder\"><h4 class=\"icon_title \" style=\"\"><\/h4><\/div><div class=\"icon_text_inner\" style=\"\"><p style=''>E-mail<\/p><\/div><\/div><\/div>[\/vc_column][vc_column width=&#8221;3\/4&#8243;][vc_column_text]<\/p>\n<div>Vital, recurring concerns in her practice include the social and psychological life of the object, the politics of camouflage and mimesis, and the ethics and aesthetics of the built environment.<\/div>\n<div>\n<div>\n<p>Recent solo exhibitions include&nbsp;<i>Hereditary<\/i>&nbsp;(2024), 100 Bell Towers, Montreal; Canada,&nbsp;<i>Drawing something under itself<\/i>&nbsp;(2023), Kunstverein f\u00fcr die Rheinlande und Westfalen, D\u00fcsseldorf;&nbsp;<i>Continuous Sidewalk<\/i>&nbsp;(2023), Ch\u00e2teau Shatto, Los Angeles;&nbsp;<i>Long Distance<\/i>&nbsp;(2022), Maureen Paley, London;&nbsp;<i>#4, Closed for installation<\/i>(2019), SculptureCenter, New York;&nbsp;<i>#8, Closed for Installation, Sequence of Events<\/i>(2019), Secession, Vienna;&nbsp;<i>Closed Down Clubs<\/i>&nbsp;(2018), MAK Center for Art and Architecture, Los Angeles.Connor has taught at UCLA Department of Art\u2019s M.F.A Program (2025); ArtCenter College of Design (2019-2025); Visiting Critic, Sculpture, Yale School of Art (2021-2025); UCLA School of Art Undergraduate Program (2017-2023). She studied at University of Auckland\u2019s Elam School of Fine Arts (BA\/BFA 2004) and University of California San Diego (BA majoring in History 2008) and California Institute of the Arts (MFA 2011).<\/p>\n<\/div>\n<\/div>\n<p>[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/section>","protected":false},"excerpt":{"rendered":"<p>[vc_row padding_bottom=&#8221;50&#8243;][vc_column width=&#8221;1\/4&#8243;][\/vc_column][vc_column width=&#8221;3\/4&#8243;][vc_column_text] Vital, recurring concerns in her practice include the social and psychological life of the object, the politics of camouflage and mimesis, and the ethics and aesthetics of the built environment. Recent solo exhibitions include&nbsp;Hereditary&nbsp;(2024), 100 Bell Towers, Montreal; Canada,&nbsp;Drawing something under&#8230;<\/p>\n","protected":false},"author":7,"featured_media":57771,"parent":40704,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"ngg_post_thumbnail":0,"footnotes":""},"class_list":["post-57770","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/art.ucr.edu\/wp-json\/wp\/v2\/pages\/57770","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/art.ucr.edu\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/art.ucr.edu\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/art.ucr.edu\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/art.ucr.edu\/wp-json\/wp\/v2\/comments?post=57770"}],"version-history":[{"count":5,"href":"https:\/\/art.ucr.edu\/wp-json\/wp\/v2\/pages\/57770\/revisions"}],"predecessor-version":[{"id":57779,"href":"https:\/\/art.ucr.edu\/wp-json\/wp\/v2\/pages\/57770\/revisions\/57779"}],"up":[{"embeddable":true,"href":"https:\/\/art.ucr.edu\/wp-json\/wp\/v2\/pages\/40704"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/art.ucr.edu\/wp-json\/wp\/v2\/media\/57771"}],"wp:attachment":[{"href":"https:\/\/art.ucr.edu\/wp-json\/wp\/v2\/media?parent=57770"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}